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Found it, heaven't pushed play yet. e. 2 CrossAmbassador if evvah returns, your not alone in the dark. This person https://www.discogs.com/artist/233330-Kemic-Al , who respectfully made a couple ,,strong albums (i don't know the second to well mostly read Very Positive Words about it - i own the first release cause of reviewing purpose), is high in there with the Christian belief, as a present person. Like seriously so, if you find him on Facebook (he sent me his album, if im not mistaking), you'll understand his Cross Ambassador Preakness. Is that the word, preakness? Preaching on his wall. If you get him back on music (good luck), then maybe he would release you (Butterfly Rec.). He's from Malta btw......................I think maybe someone or "thing" scared him in to full holy, but Jesus I don't know, its just a quick weak presumption (scared into) taken from a perspective of a cruel power-struggling elite world, i guess. . Speaking about Christians, wheres the good man Rot? The 2018 voting is long due? One day i hope ill get to hear the 2nd album full. There's just been too much music and one makes ones choices (£)

The track in the OP sounds a bit too simplistic but I think it has all the characteristic elements of progressive psy, like the rolling bass, "trippy" farts etc. The tempo maybe a bit too high, though but if Suntree or Ritmo are psy then it must be psy as well. The Material Music track is surely psy, not sure if progressive (again the tempo is too high, around 145 I guess? May be kind of full-on). To me it sounds much more interesting. Liked and downloaded, quite a good track!

Thanks dude, would you say the live version rids the non Psy or Goa stamp, or its still not? Here is btw (all his tracks has a progressive vibe to them) another track by Material Music, maybe it's less progressive and more Goapsy.

"Bratenschneider means ‚roast cutter‘ in German. Why should anybody choose an artistname like this, one might ask. A justified question. Because of Hamburg sense of humor and due its deeper meaning; cutting hot techno tunes in a professional manner. His releases on Digital Diamonds and Envelope Records proove his culinary production skills. Like a kitchen boss he combines minimal with psychedelic spices to prepare some delicious food for the dancefloor." http://bratenschneider.de/project/ DJ Gulaschkanone featured in the Grünkohl Edit

And this?

Got this on the preorder. Listen to it every morning as i wake up. Suduaya has such a diverse range of styles that you can almost be certain you'll be getting something different. BTW your track on the Liquid Regen remixes was killer. Worth a purchase for anyone wondering.

Just in case you´re more or less starting out producing and here to find out what you need for that killargh psybass you might consider this info, if not - skip it. Short Version: Hi I´new here.Now why is it that there is so many information on how to make your kb kbbb psytrancebass (and indeed every other goabass),the process is described to be easy - yet it is hard to get sounding pro like Boris Blenn? It´s because beside the fact thatmost information is indeed helpful if you take it as optional - the main goal is not getting to know all techniques,but enable yourself to listen properly. Limiting the amount of used techniques might take you there much faster. Longer Version: Hey I´m new here tho not new to goa/psytranceproduction. Like most producers I´ve been (and still am) striving for that perfect kick and bass, reading hundreds of posts, watching tutorials, installing vsts and downloading patches. Sitting down for weeks and weeks trying to get it right. I´d like to second the above thread because imo its at the core of a common misconception about "how to get there". I think can´t be stressed enough, just if beginning to intermediate level producers read this. Sorry if some of it is a little bit OT. As stated above by recursion loop there is no perfect formula (every kick/ bass is different). "Layering is the best way" / "gotta get you a virus ti" / "install cubase" bla bla is all bollocks. Using nothing but vsti + eq CAN sound great using tons of processing also CAN sound great. If you´re starting out you will need to learn what good kick/bass actually sounds like - take professional reference tracks. If your kick/bass sounds better on your system than the protrack you admire - you are wrong - it sounds worse. Most importantl of all information: Get the best listeningenvironment (roomtreatment/ monitors/ cans)you can afford. If you don´t have it you´ll very unlikely have consistent good results. Pro for cans: they reach down low + take the room out of the calculation. Pro for monitors: cans won´t give you the actual tactile physical bassresponse to be sure nothing clashes in the bottomened . Even if you have a decent setup it will not be the same like playing it out on a party.While analyzers and looking at the waveforms can help reduce this problem, ultimately the only perfect check (even for pros with nice gear) can be made when a track is played out on a big system. Professional Artists arent that good because they know something you cannot find in most tutorials - its because they know what they have to listen for, and how - using the common techniques - they get it right. If you just started out you will say "but yeah I know how good kick/bass sounds like". You are wrong. You will be pleased with your sound at some point - then learn to hear more - know it was actually not as good as you like - be frustrated and go back - then the cycle begins again. This imo important - and at first glance quite trivial - information can also be found in many threads aso but usually is getting overlooked. Which for many results in trying out tons of vsts, techniques aso. In the unlikely event of me travelling back in time I´d then tell me to stick to one synth regarded by many of beeing capable to produce killargh bass (sylenth1 for instance) no need for layering, and try to get the best out of it (just choose "moog bass" and alter to taste)*. Same for Kick (bazzism). Ad Eq - bounce to audio - basta. To quote Dr. Bill Cosmosis on this: "the amount of tracks produced is negatively correlated to the amount of vsts in your vstfolder". Trying out ervery technique might be doing it the hard way because of the psychoacoustic roule new=better (nearly) everything you throw at your bass will sound better, unless you already know how a great bass should sound and you realizing you just ruined it with quadrafuzz. That said it is good to know the arsenal to experiment further or to get a particular sound. Like the bass of an Electric Universe track (you need reopen quadrafuzz now ^^). Hope I can contribute to that in future postings. Sorry for all that ot mumbling - Cheers, Chris Sun *and I will play the almanac into my hands. btw: antic saw ur post over @ kvr - did you end up getting bitwig? / I´m a longtime live user and I´m loving Bitwig