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Please don't hurt me: My favorite Etnica album is Chrome. For some reason I never really liked their goa trance too much - not that I don't like it, it's just that the connection is missing. Chrome was one of the first albums I had on CD back in the days so it has a special place for me. The result is this very unpopular opinion. Oh, and I don't think anything killed anything. In my book, modern psytrance and oldschool goa trance don't have too much in common and I treat them separately. I actually find it a blessing that oldschool goa is somewhat of a "closed chapter", because many styles end up becoming overly stale. Look at indie rock for probably the best example, and I think the same thing has already begun to happen with psytrance as well.

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Furthermore, please read this: At DAT Records we constantly aim to provide a portal to the golden age of trance, when the music was new and a global scene was starting to emerge. While the ‘90s were seen as a halcyon age with creative music and a unique atmosphere at events, there were also a few challenging aspects to the scene. One was the frequent mislabeling of tracks on DAT tapes as music was being traded in various circumstances. DAT label DJ Solitare recalls many such situations, including a case a track by Avi circulating as a live mix by Hallucinogen in 1998 and several tracks inaccurately attributed to X-Dream, and in our recent transfer work of DAT tapes made in the ‘90s we regularly come across inaccurately identified tracks. Unfortunately this kind of situation could occur not only with amateur DJs but also amongst producing artists - and as a result of such a mislabeled DAT tape, our recent 3-disc Etnica release features a track that was inaccurately attributed to Etnica. The track ‘Party Druid’ circulated on DATs for decades and was dutifully copied from a DAT tape filled with Etnica productions by label manager Draeke when archiving the band’s output. It naturally made its way into DAT’s latest Etnica release covering their early compositions, with the artists having noted that while they didn’t recall the details of producing the track (as was the case with some of the experimental works on this release), they recognized it and recalled having played it. It has come to our attention that this track was indeed mislabeled and is in fact a track by the project Evolution entitled Alien Phenomenon - a longer mix than the version that appeared on his album, which was on the same High Society label as Etnica’s first album. Since learning of the error, we at DAT have been in contact with Andreas Roll, the artist behind the Evolution project, who was very understanding of the mishap. Andreas has been most gracious, with no expectation of the set being withdrawn and repressed, simply requesting that the error be addressed online. We are of course very regretful that this CD set dedicated to Etnica features a misattributed track produced by another artist - a completely unintentional and unanticipated throwback to ‘90s era of track distribution. We hope that DAT Records supporters will be as understanding of this unfortunate error as the producer of the track was, and will continue to enjoy what is still a remarkable release of a key cross-section of Etnica’s early productions.