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...announcing my cheesy efforts at adding more "advanced" harmonies beyond basic 1-3-5 major/minor triads. please excuse the total lack of sound design, whooshes, swooshes, crashes, vocal samples, or decent production. hmmm I realized that there are a LOT of variables in "making a track" and that my harmony ideas quickly got lost in a pile of "what should i do?" for every single sound. If there were only a "control" song, I could happily remix it or re-harmonize it, LOL... so please don't consider these examples as a concrete proposal for what ALL harmonies sound like beyond the 1-3-5... Any cheese is strictly due to my own cheesy taste. It's literally not possible to say that "more musicality will result in cheesiness" as that's a position of ignorance about music. Knowing more music will not ever ever limit a person, but will provide more options to consciously choose a toolkit. There are certainly times in which only a "powerchord" (1-5 interval) is called for.... Anyway, enough pre-amble... here, for your laughter and amusement, my attempts at trance... (is there any preferred way of posting audio files? i just put it on mega here...) https://mega.nz/folder/zBkRTa4B#wkaDI7fI7-nIM6ccmOucEg

Thanks for listening! Yep, he's really good at mastering.

It sounded like you made some good basic harmonies and then decided to show off "I can do dissonances and chromatic progressions". As I said in a full-blown track this could sound more natural and even pretty much awesome

ah, i was showing a few different harmonic movements over the same riff/bassline... yes I agree, it's all a bit too muddled...i was initially going to try to make it like "comparisons" basically, i have a new respect for anyone able to carry ideas through a whole track, lol...

Noosphere is excellent, Carpe Noctem is one of my very favorite tracks ever

Hello Everyone, OK, let's all take a breath and address a few things. First of all, I can see that me just taking a pause from the goa trance scene was interpreted as basically any possible interpretation ever. But let's then answer about some of the things that were expressed on this thread: A number of DAT releases expired past the original contracts with the artists after X number of years, and so we are renegotiating to continue to make remaining copies available as possible. Meanwhile, Covid also put a big halt to several planned releases for the year, which we are continuing to prepare for the time when we can move forward (in one case, mastering is done, artwork and booklets in preparation). And you will see that our Unreleased Goa sub label continues to release every couple of weeks. I realize how the no-notice suspension of our bandcamp while we undergo updating logistics and preparations could lead to speculation but the rumours being spread here are simply not true. Thank you for staying tuned while we update the website, catalogue, and new releases. About me logging in and not commenting, well, I have been a lot of time offline and a few times I connected I have read a few things but did not feel like writing explanations on how I run this venture and the choice we made in the meantime. I was more preoccupied with the global crisis, the pandemic and also the fact a lot of people have lost their job and are in difficulties, so actually we wanted to halt all operations to see how things were looking and about to be globally. I am sorry someone feels like our records are only good as frisbee and I'd like this person to write me privately and tell me exactly what were his concerns and what releases he has bought, if he feels like. Oh and lastly, I had to change my password twice, and a couple of times i got banned for retrying to log some times, so i did not feel really at ease and it might be someone tried to hack my account. In the meantime I have been living in the countryside to be safe from a terrible infection that in italy was very strong, so to be safe. And with less internet we slowed down but we indeed worked a lot on the UGR sublabel to show we were still active.

You're probably thinking about Future Prophecy, which was pretty much an X-Dream cover band [edit] around when they released Shadows. Plenty of Israeli projects around the turn of the millennium took a lot of inspiration from X-Dream; I'd say Cosma was the best of the lot (in that he learned from X-Dream and created his own unique sound), but there are plenty of others that might scratch the itch.

It's 2008, so not quite your criteria, but I often think the M.E.E.O. album "Highlight Me Please" from Demon Tea Recordings is criminally overlooked for its refreshing 90s-era psychedelic quality while also sounding fresh and updated. It reminds me of those early Twisted Records releases and delivers a rich full sonic punch with each track.

Concerning X-Dream, unfortunately there isn't really anything else like their Radio album out there, or if there is, do let me know aswell Oh yes, Kadasarva - Steamagination comes quite close with its unique steam/cyberpunk aesthetics, but still it isn't Radio

The little bit unfortunate event is, that the proof that Thomas Vitali is behind Psynina is now gone because the registration period for domain "psynina.com" has ended... Who? Thomas? The NHJO? Or maybe ... Thomas = NHJO :ph34r: ...