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Showing content with the highest reputation on 08/26/20 in all areas

  1. Phase should stay always above 0 because bellow it's antiphase. Finetune depth until everything is above, could be few places where it works and then you check it visual through oscilloscope. Sometimes i like to have it visual because ears can lie This is last thing to do, make good bass preset and good kick, set velocity and volume sidechain on bass using LFO tool (explained in E-Clip tutorial), EQ it then check for phase issues. Sometimes you dont need to change anything, sometimes you do. It's very simple if you know what you are looking for and what you want too achive. Maybe perfect kick/bass phasing isnt up to your taste or how you want it to sound but it's most correct way if you want your music to sound good and clean on big rigs. In my experience phasing can destroy whole track, it can eat too much of your mix on big soundsystems, it will become boomy or track will actually lose energy and could sound slower than it is. Not just phasing, overlaping bass notes can destroy whole mix too. Overlaping kick and bass too. Thats why sidechain its important same as phasing. Balance must be good if you want to sound good!
    2 points
  2. don't forget the other work around b4 the osc phase retrigger as well, is to bounce one good rendered quarter note of a bass note and copy it that way to manually "retrigger" the osc , so to speak.
    1 point
  3. i think the whole phase alignment thing only became agreed upon standard in the 10s. in the mid 00s there were tutorials teaching to cut the kick before the first bass note and also much of the 00s darkpsy has short kicks without any low end.
    1 point
  4. Ive always thought of it like this. Psychedelic Trance is the mother genre, then we have goatrance as one sub and also psytrance as another. Yes that becomes a bit confusing since both share the same name; but they are indeed two different things. for example goa is like astral while psy is like infected. Of course thats just how i have looked at it personally for all these years. I dont remember anyone even calling it "psytrance" until a bit later, early 2000s i think. But maybe we did call some stuff "psy" even earlier than that... Hard to remember. Anyway i think "psytrance" as a genre is mother to sub-genres like dark, forest, tech, etc. While Goa and "Psy" has always been slightly distinct flavors under the matriarch; "Psychedelic Trance". makes sense to me at least
    1 point
  5. Hehe sadly I wont consider Menog among the group of night time full on producers. His music is well produced for sure but its missing those beautiful haunting melodies that were his signature. His style now is .. well I dont know what call it but "Nano Records". Its kind of full on, kind of foresty. Sadly consistently engaging is not something I can call it. That being said - there were a few tracks i liked on the album - Computer Simulation, Kikkarapyllyt, Drunk On Milk - but on the whole, its not memorable. To each his own - Dani's been doing this for a long time and the man's a master - here is hoping he feels like revisiting his older works for inspiration in the future
    1 point
  6. You are funny. Of course there's name collisions. There's a 1000 people out there called Christian, just to name an example. Such collisions are prone to happen. All of that wouldn't happen if you enhanced your name with for example an Ethereum address. You can be AION 0xDECAF9CD2367cdbb726E904cD6397eDFcAe6068D (address just an example, please make your own Ethereum address, this one is taken, please don't send any ETH there, it's not my address) Nobody could copy you, because you are the only one who's got the private key matching that address. If somebody wants proof, make them send you some ETH and you send the ETH back. Voila. And the other guy should go and make his own Ethereum address. No more mixing up! If you used that format, you'd also have a donation address right there in the name... I would, however, try to win the mexican AION guy over - and for example make a collab track? AION vs AION
    1 point
  7. It will sound like a swerve but working out which synth is best for you will be an important part of honing your hearing. I am fairly sure every soft synth out there has been used at some point in the last 20 years. I am fortunate to have a good monitoring situation, you may need to rely more on visual aids if you don't. "It's very simple if you know what you are looking for and what you want too achive." That is not my experience personally, every time feel pretty new to me, similar challenges each time with a progressive knowledge base track by track, actually a tick box of what to double check and make sure of each time, reducing mistakes is one of the the keys to progress. The first words understate the complexity of the latter words. I guess everyone makes their own path.
    1 point
  8. I am not the overseer of all psy trance kick and bass but I know a few bits and bobs. Just as well as every time I make a track I use different synths different processing and I enjoy that, at least 5 different bass synths (I like Bazzism and Kick2 equally for different reasons). There is no easy answer, there is no.... do X, Y and Z and then you have great kick and bass. (How many times did you follow the many tutorials and got to the end thinking it sounds nothing like the video !) Never think of this as bass alone or kick alone, both affect the character of the overlap, they are as one (and as far as phase goes the kick is dropping in pitch so phase will be aligned for what? one or 2 cycles ?). No one will see your oscilloscope or phase alignment tool on the dance floor or when they listen to your track. Visual tools are however useful, for myself personally as a second check or once thing start sounding just about right. Phase is 1 parameter of many interdependent parameters, it is important, it stops odd psychoacoustic effects and inconsistent sound and cancellation of sub. So 4-5 hours roughly to get something just about acceptable usually, that is synthesizing the kick and the bass line. Sometimes I will commit to audio and sometimes not, some synths do a better job than others in this regards. I spend more time on the listening for a few days, thinking... "Has this invoked the spirit of the last 2 decades of this music ? " more than I look at an oscilloscope. I test a kick and bass (and then snare and hat) at least 3-5 times on a different day deliberating if I have the "feel and effect" right before I will build a track on top. And on more than one occasion I scrap the entire kick and bass and start again because I have not achieved my goal or feel I can do better or the effect I wanted was absent. If kick and bass was just aligning phase up everyone's kick and bass would be great and probably sound the same right ? Clearly this is not the case. In my experience perception of good kick and bass varies a fair bit between producers. If we all listed our top 3 kick and basses the variation would likely be all over the place... this alone makes nonsense of it being a purely technical exercise. All the tools and techniques on YouTube etc. are very useful but in the end I think once you have all the techniques, in themselves a big job to absorb, you are still on your own in that final say so of .. if this what I want and is this good enough for me and my aspirations/goals. If it is sounding right and working everywhere you play it on headphones and speakers you are golden. And there is no shame in using a sample either, some people's idea of creativity and fun is not making their own kick and bass, no one sees your sampler or synth on the dance floor. Using synths is more of a personal technical challenge / feeling of satisfaction after release for me, so far no bass samples used. Just like becoming good at anything in life, you learn, apply, test and experiment, you may make less than stellar kick and bass initially but slowly you refine and through multiple experiments it starts to come together more consistently and quickly because you evolve out errors in your methodology, you also get an aural memory for what good kick and bass is to you personally.
    1 point
  9. just tried the MFreeformPhase + Correlometer combo, how did your correlometer look? thank you Imba, for sharing Colin OOOD's tip. heres a screen shot of best I could get on one quick test on an existing project, gonna try it on some other projects and experiment.
    1 point
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