Kryll

some more free ambient to be found in the hushush mp3-vaults http://www.archive.org/details/hushush in particular vault 09 (click image) :

dunno not that hard into psytrance hehe ;-)

good christmas gift would be some surf rock some samples listenable overhere

especially necessary for capacitor microphones i guess

weird after 10 years.. i would assume favorites become to vast and situation-binded (or functionally diverse) to give an absolute #1

ow yes, one i can still add to my first recommendations-list Musterion - The Black Lodge

http://www.discogs.com/release/36509 maxi-cd cover: http://www.discogs.com/image/R-91231-1158865494.jpeg

give me a shout as soon as u checked some of them to see which kind of suggestions i can give more

whatever happened to the Favorite Drinking Music thread ? have some new items for that matter been searching my ass off, but no success

well.. then it seems i've only ran in to these 9 out of 10 i like dark sounds, but i cant say darkpsy really sounds dark to me (or has anything to do with psy for that matter) but hey, could be me, that didnt listen to the right albums yet..

dunno if u heard them already, but.. Contagious Orgasm - Illegal Occupation Of Ears Olhon - Veiovis Ah Cama-Sotz - Ghost In The Shadow

for that you should need more linearity, and repetitivity.. take steve stoll for example hehe and idd, not much soundscape-like things innit afaik

hmm.. sounds that sound just like your heart ? go check a doctor i'd say i really get relaxed of hearing fast beats they have to be made with quality ofcourse, but it's the best music to fall asleep to, on the way to school, for me

ow lol mistaken my own post to which u reacted hehe well.. i still think those two are nice hardcore tracks, for that age it's a bit of nobrainer music, true but it works pretty nice on a dancefloor *edit* some more nice speedcore: http://www.youtube.com/watch?v=bzZ_mbFG5g4

ahh.. good trancecore some more:

i really dont get that stigmatisation of hardcore lovers being al uptight and aggressive, taking amphetamines but i hear it all the time

ahh fuck.. this de.youtube seems to stick to my account now http://de.youtube.com/watch?v=eQuEJw4R1xo some good speedcore: http://de.youtube.com/watch?v=vzWCKcHAVag

yes, nothing renewing happening overthere.. it's quite dead in my eyes (musically speaking ofcourse) the gabber-scene still stands ... the bald heads, nike air maxes & tight jeans , freaking on hardcore beats..

there are some crossover projects btween gabber and psytrance though on the terrordrome compilations: Neuwerk http://www.youtube.com/watch?v=iRtQVaUj7xo http://www.youtube.com/watch?v=t2f0jlPBLWk UBX http://www.youtube.com/watch?v=YuaCoMU7q_c and Ferox (Bionic records) *can't find any decent youtube examples* these are a couple already, but there are more

well.. i said gabber died at about that point ( '98 - '00 ) i never said i was giving examples of great and awesome gabber

that scene is more leftwinged idd.. squatparties, teknivals and such

i dunno.. if u see to the past (when gabber was still alive) it was one of those genres with the most variation in kicks for example these ones: http://www.youtube.com/watch?v=287RFXdQrXU http://www.youtube.com/watch?v=WTn5ORDHwQc

woah.. awefull example of gabber gabber is dead btw.. it died around about these songs http://de.youtube.com/watch?v=RDywEMnkoYk http://de.youtube.com/watch?v=rThPBZ87Mzc ofcourse but what do u consider dancing ? i just wave & shake along.. goes perfect just with booze only

music for the jilted generation was the first cd i got from them when i was a kid (10 a 11 years i guess) still my favorite... The Heat, Speedway, Full Throttle, 3 kilos, skylined, etc.... all mighty fine tracks Fat of the land i never really appreciated, except for a track or two (smack my bitch up is one)

using the scale of creativity-levels.. where would things like these few (listed below) fit in ? * structure (lineair vs fixed timeslots/climaxes), * abundancy-level [melodic (over)abundance vs balanced element-synthesis (sober, cut down to the essence) * timelessness (length in time that a track still sounds fresh or appealing) * amount of actuality (how strong is it influenced by the recent hits/cult-stuff from back then) -->the more music contains temporal influences, the less it will stand out over a longer period of time (except of course if the influences from back then somehow got lost in the spiral of decadence) *etc..