mars

There's 3 years worth of continuous psytrance released as of today, noone can know it all. I got the track. Now please be (very) patient.

Sorry, I was working on soemthing else and forgot to subscribe to this thread. So, definitely a homebrewed compil. Cyan Galactica has been released in 2001, and judging from the descriptions, probabaly every track is from between 98 and 2000. that's the window to look into. Yes I would like to have the track to identify in a good quality mp3. My brain cannot identify it, BUT I'm working on some (moderately secret) psytrance tracks identification project that might. So I'l be probably idle for a while and one day, maybe, I'll come back to you with the track identification.

I don't think I ever heard it. It's somewhere between Goa and Nitzo, so probably from Israël or Greece. I'd bet for Israël. Since when have you had this CD ? Analog Pussy - Infinity is from MP3 release 01, self-released in 2000. So we can assume your CD is from that period. Would it be possible to get the complete tracklist of the CD, so we an narrow the period down ?

Blue Room

Movies grabbed with a cam from inside a movie theater are terrible, so for all those who want to enjoy a movie in HD, they have to EITHER go and see the movie, OR wait 4+ months till the BluRay rip comes out. Time is a serious incentive in that case.

The first time I heard Goatrance, it was through Trancentral Four. I wasn't so impressed at the time but it's now sitting at a good place in my collection

Go there: https://www.facebook.com/events/308929169254388/?ref=3&ref_newsfeed_story_type=regular

Well, I had the same issue as d.leerium when I arrived in Paris 16 years ago. I partied alone for quite some time. - Find forums with people in the same area, contribute. Or the FB event page, works too. Sooner or later, someone will propose to meet somewhere before the party or a meeting in real life. Or maybe some people will ask for a ride to the party: respond to that! - Talk to people when not on the dancefloor, like near the shops or at the bar: clink bottles with random people like Mergi said. Once, then another time at the next party, etc. - Propose to clean up after the party, simple as that. You'll be an instant friend to the organizers and you'll have some time to talk in a quieter environment! In short: get to know the local party scene little by little until one invites you for a pre-party drink at his place, and from then on, things will go faster and faster.

148. But of course as Purple Sunray and Djuna pointed out, there's no problem going higher IF I enjoy the track.

We're only 35 and 37 but seen my condition, it could have been... No, Skytrancer has them all, as well as the SFX ones. No, but Skytrancer is the Astral Projection fan number one! Of course, one AP track was played during the party afterwards No, but always in my smartphone. Many, many times. When Skytrancer settled in Paris, he landed 3 blocks away from my appartment, back in the beginnings of Psynews, and we used to go partying together.

Skytrancer and Mars, two of the very first Psynews members, yesterday, at Skytrancer's wedding with the lovely Carole

@Ormion: no other track from this artist exists. @Jason: there was another topic about Ultrabeat on Psynews not long ago where you can find a link to the whole Ultrabeat archive. Also, if you like digging, some of the Ultrabeat tracks are actually XM's flattened to wav/mp3, and most of the Ultrabeat artists have their XMS archived here (but not The Oghla) http://artscene.textfiles.com/music/mods/XM/MODLAND/

Psytrance + Ambient combined, 2.8TB, that is 1100 days of continuous music, that is a little more than 3 years. And believe it or not, I used to listen to everything I got my hands on until mid-2010. It means I used to listen to music at home, in the metro, in the car, at work, almost continuously.

For those who might be interested, I4m about to sell my collection. ~1000 CDs, mainly Goa & Ambient music Watch out on discogs.

Khetzal plays litterally live, he even brings his studio with him, and adds soem live electro violin on top. Crossing Mind also tweaks significantly live.

There used to be one in NYC. But now ???

That's a topic where people are bound to disagree

I connect Native Radio's album "Chiba City Blues" with a girl I loved a lot back then.

Just downloaded it from Ektoplazm. At last it's released

Celestial Intelligence Morphic Resonance Lunar Dawn are trending a lot in my playlists at the moment

Lemmi, check PM

Here now: http://suntriprecords.bandcamp.com/album/epoch-of-the-terrans

Good stuff Also, check Analog Dreams, the new DAT Records compilation: in DAT circles, Purple Om was the producer of that first version of LSD (1993).

Check Suntrip, Cronomi, Zion604, DAT records DJ base.

Ableton is widely misused. 99% artists just drop pre-recorded and studio-mastered tracks in Ableton in the order they want and press play. So it's exactly the same as using Winamp with auto-crossfade (ie worse than djing)...but, if I may be sarcastic, the upside with Ableton is that if someone takes a photograph from behind, at least it looks like some elaborated sound production software is running on the laptop... so yes we can talk about a scam wrt the "live performance". Most are just waiting for the music to unwind and have nothing to do except smoke a cigarette or drink a beer or wave their hands. Though, there's 2 sorts of artists within this first category: - Those who play released tracks...why do they even show up you might ask? Those are the only ones to really blame imo. - Those who play unreleased or remixed music, that is, did a substantial effort at making the performance remarkable upfront. Seen the amount of work, most would probably play completely live if they could, but it's not easily doable if they still use analogic synths or compose with other software. Working that way is fair imo. Also a lot of them are production quality maniacs, so working that way enables them to studio-mastered music. Okay. The second category of artists add a synth or a few fx on top. They're very few. These have some use for their hands once in a while. The third category of artists, which are extremely scarce, play really LIVE using Ableton (ie: individual layers and loops played and mixed at will during the performance to produce something entirely new, ephemeral and unique). From my experience, the most an artist plays, the less time he has to spend on preparing live performances. Also, the bigger the parties, the less artists will take risks (computer hanging, bad mixing/sound quality), so they will rather play something static but which is guaranteed to have a good sound quality as it was mastered in a studio. In any case, let's not be too harsh. All these guys have spent countless hours producing their tracks in their studio with complex tools. So using Ableton for the purpose it was designed would really be no problem. Yet as I said above, they might not be able to play in the same conditions as in their studio, and also, many (really MANY) are nerds who are paralyzed at the prospect of playing their music in front of actual people (or they're drunks), so they choose the easiest/safest way that guarantees no fuckups.