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mars

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Everything posted by mars

  1. Rastaliens haven't been active for the last 3 years but I see their website is still up. A good idea, indeed, would be to re-release it with proper mastering, on Ektoplazm for example. Or even Beatport through the artists themselves. You'll need the agreement of the artists obviously. You'll need the unmastered files from the artists. No mastering studio will work from the CD. Count 350€ for a decent mastering (I can give you a couple good addresses).
  2. Nerso - Exploration of infinity : an absolute must in progressive. Crossing Mind - The Inner Shift : clearly not day to day goatrance. Etnica - Live in Athens 96: superb one You may check also Lyctum, Killerwatts, Mindsphere, 3.14, and the Ultimae catalogue.
  3. Optokoppler - Halftime (album here). Big fullon classic. http://www.youtube.com/watch?v=Eou9-T-Cx5M But I'm not sure this is the right place for track identifications...
  4. Lyctum - Tales... Chritiana Selection Vol.2 And also less striking but worth having a look: Holographic Remixes Infinity - Wasted Years Time In Motion - Energy Lupin EP's Solar Fields - Random Fridays
  5. Right be he mentions accounts being hacked whereas what he refers to actually happened on Discogs. Just aiming at correctness here. Yes in 2005 or 2007, that's called "ages ago" in Internet terms. Precisely, they are triggered from the inside, that's why they are called like that. Maybe we're talking about something else. Anyway.
  6. @Cosmogenesis: this board contains no malicious code. Even if it did, it's not posssible to target someone specifically. Spam filters by Microsoft (I see you're using hotmail) do work well. Of I were you I would take a step back and try to analyze this with a cold blood. If you want some help...
  7. Yes party scenes are shot in UP. I read another topic about that. Very very shitty movie. As usual focus on drugs, sex and not psytrance...
  8. A few here http://abasioforum.myfreeforum.org http://djnetz.com/forum/ http://elastiktribe.org/ http://forums.di.fm/ http://forum.goa.hu/ http://forum.isratrance.com/ http://forum.psytrance.org/ http://psy.com.mk/forum/ http://trancemoon.forumotion.com/ http://www.danceforum.ru http://www.discogs.com http://www.electrobeat.dk/v3/forum.php http://www.goabase.net/forum.php http://www.goagemeinde.de http://www.goatrance.net http://www.hipforums.com http://www.mysticalforum.ch http://www.partyvibe.com/forums/ http://www.psychedelic.be/forum/ http://www.psymusic.co.uk/forum/ http://www.psynews.org/forums/ http://www.psysurfeur.com/forum/ http://www.psytechforum.com http://www.psytrance.pl/forum2/ http://www.psytrance.ru/forum/ http://www.psytrance-forum.com/ http://www.studionu.com/uadforums/ http://www.trancegoa.org http://www.triplag.com/4room http://forum.psyshine.org.ua
  9. No Federico, I've never heard about these guys.
  10. There are some. the first one that comes to mind is Check Barby - Infiltrator because it's just released.
  11. We don't know much about Cygnetic Records indeed. Saint Gallen in Switzerland is at the crossroads of Germany, Liechtenstein and Austria, close to Constance lake (so, Germanic part of CH). End of 2004, the site was already active as shown in the web archive But early 2005 is was gone and never returned, then was cyber squatted after the domain expiration. There's very few infos on discogs on the artists themselves: We have a name for Overmind Projection for instance: Roman Bossart. Alien Spacecraft/Artificial Identity: K.Skye. The Infinity Float: Ken Da Luyd. Hmm why would they stop making music like that ? Lack of equipment? Lack of motivation? Worse? Anyway I'm sure some of these guys still exist. In any case the guys had two studios with a crazy equipment list. Like they ran studios or something... and they probably met other crazy synth collectors as can be shown on their link list like here or there. If they cannot be reached directly, I bet they can in an indirect way (like they must have conacted other people through these forums/links).
  12. Oh that was a joke? I hadn't understood it was funny, sorry.
  13. @Goa Travellers: why? Does he need it? Did he state it anywhere? I'm not even sure he uses analogic equipment anymore. From my experience, topics like "let's do something" lead to nowhere. The writer thinks "someone" will do the dirty job and the readers think the writer will do the dirty job. The dirty job being: - opening a crowdfunding campaign on indiegogo or kickstarter, etc - opening a similar topic on twistedmusic.com forums and advertising on social media like facebook, etc - keeping the artist in touch with the topic (as well as obtaining his agreement to the "let's so something" in the first place) - making the topic live until the end of the campaign ...in other words, dedicating time and energy to it ! ciao
  14. It depends mainly on 3 factors: the gear, the mixing, the mastering As of today more artists use a virtual gear and that makes it easier to chop those overlapping/competing frequencies that destroy parts of the sound. No matter if they use analog or virtual gerat, some artists are better at mixing than others. Either because they had the education or they naturally have an ear for that. Also some search the right frequency ranges to put the maximum power in a track witrhout making frequencies to compete (look at the bass/kick rockets they pour into fullon tracks now!!!) And the same goes with the mastering guys who use a more or less advanced gear and know more or less well how/where to enhance/cut the frequencies. I'm not mentioning each substyle which uses different features: prog vs fullon vs dark vs goa. Alltogether, that is an infinite range of possibilities and it would be hard to describe perfection from there. I think now we're in an era where people pay attention to the production, especially as you can well hear defects on a high end sound system or in a party/festival. So there has been a strong motives to improve the psytrance production in the last 15 years, and I think we can now talk about something that's close to perfection and might slightly evolve again but less than what happend in the last 15 years thanks to the above factors.
  15. My very very first try at Psytrancde was Prana (didn't like it at first). And then Hallucinogen, which did the snap! Basically I listened to "Twisted" constantly in the first half of 1996. After that, Total Eclipse, MFG, Astral Projection, Transwave, Etnica, Shakta were playing in my stereo every day.
  16. We're still making more physically. It's mostly a gut feeling, I don't have figures to show.
  17. first and foremost, believe me, it's VERY hard to assess how many CDs of a given release should be printed. In the Goa genre, 1000+ was still doable in 2010. Now it's doable only if you release a blockbuster (Filteria, RA) and only after 3 years or so. I have the Suntrip figures at your disposal if you want. Since november 2008, the only releases that went out of stock were Filteria's Daze of Our Lives and E-Mantra - Arcana (very last copies are on the suntrip shop). After 3.5 years we still have 250 Merr0w and Radical Distortion, we have 250-300 of all we released in 2010, 300-400 of what we released in 2011 and 500+ of what we released in 2012. I have 3000+ CDs in stock right now. See what I mean? Soon there will be no point in stating "limited edition" on covers because everyone will press sub-1000 batches. 300 used to be a promo batch, in the past !!! 700 copies would be the best for us at this moment but presses charge them almost as much as a 1000 CD batch. On top of it, 500, or worse, 300 copies are much more expensive to press, per CD, so the profitability further drops. In other words, the CD is dying and all we press now is for those who still like the pleasure of holding the physical thing in their hands. MindRewind is a compil made in 604 copies (not 300, but it's arguable) by collectors, for collectors(!). Personnally I'd have wished a bigger batch. Not sure what's going to happen with MR2. And this (of course, inevitably) triggered discontent, I agree with you. What we did with InnerSpace and what Altar records is doing for example is also something dedicated to "afficionados" of the genre. You like the music, you are a collector, then buy it. Else get it on iTunes. As far as we're concerned, we don't want to speculate on these releases and prevent people from buying several copies for example. And if some start speculating (like it happend with Khetzal) we repress 500 copies and kill speculation. Now, I almost regret we put "limited 2010 edition" on our SUNCD02-03-04-06-07-08-10 represses. It should have been "2010 edition".
  18. It's good! I never liked the original, the mastering on this one, at least, is much better.
  19. Note this is the first time we release a track twice in 8 years, this is for a limited edition, not a broad one! Actually, this is the other way around: we got this whole album before Shaltu. We chose that track for the compil before we decided to release the InnerSpace album. Jörg didn't have a substitute and as the album was meant to be "like that", we released it as-is. That said, you'll notice the tempo is different on both releases. Jörg has now completed a new track, I hope this will be for a future release Most certainly. You need flash.
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