Lemmiwinks

cool! too bad it's uncut... Indeed Oliver Lieb has always made slightly off-mark stuff compared with the "norm" of the scene... proof that one can still express his creativity these days WITHOUT giving into commercialism

hehe yeah sorry for that, I meant Dr Baker on Coma Records

NOT TRUE!! I have an EP called Dr Coma - Reality Remixes which has 3 tracks on each side (making a total of 6), like you I thought this had to be 33 RPMs by default but then I realized from the track times that it was 45 RPMs! If the track times weren't written on the label then I probably would've always played it on 33...

of course every artist has the freedom to choose their direction... but it's also the fan's freedom to flame them on forums if they don't like their new sound I mean, if you buy a certain brand of cereals and don't like them, it's your right to complain about them, no? Noone would start calling you "closed-minded" because you complain about that brand of cereals. So why should it be different with musicians?

ok I agree with that also... BUT sometimes the B-sides on trance EPs are uptempo, other times they're down-tempo... how do you tell then??

no no no... agreed that albums are always 33 but for EPs there is no rule (at least none that I know of...) I actually have EPs that have an A-side on 45 RPMs and the B-side on 33!!! I've even heard of EPs that simply have the wrong RPM speed printed on them... I can totally understand the DJs who started playing 45 RPM records on 33 thus creating new beat well ok mister hot shot then answer me this: which speed sould you play 12 Moons - Back to Basics EP?

come on Tatsu you KNOW that a while ago people would've tolerated much less change in psy artists. Like I said, just remember the days when Astral Projection were flamed for doing a collaboration with Trilithon or when MWNN signed a deal with a commercial record label. There USED to be unwritten rules, but aparently it's not the case anymore today. sorry mate but I'm really fed up with this taste argument... OF COURSE more people will apreciate commercial music because that's exactly the purpose of commercial music in the first place: appealing to a large number of people!!! And that was (at least IMO...) the whole idea behind the electronic music revolution that started in the late 80s: artists didn't care about apealing to large numbers and just did what they felt like. And you tell me that if an artist like IM started adding singing on top of their music (and that it just so happens that they have more and more appeal to teens with their new sound) it doesn't have anything to do with appealing to the masses, it's because they "followed their hearts"? Please man, just how naive does someone have to be to buy that? Now you seem to complain that I deem as being commercial ALL artists who change their style... that's NOT true and I gave my examples with Graham Woods, Ubar Tmar and MWNN... anyway, of couse, these are but my personal opinions based on how the scene once was (or at least how I precieved it to be...). Now if you consider that it's prefectly normal for some psy artist to go on producing music for Britney Spears because he's just "following his heart" and "expressing his creativity" and it has absolutley nothing to do with making money and that, furthermore, whoever thinks otherwise is closed-minded, well then I guess we'll just keep on having very different personal opinions First off, I wasn't speaking of Transwave per se, more about Dado, my bad... And just what do Dado, IM and X-Dream have in common? Well let's see, maybe the fact that they were all pioneers in oldschool making mind-blowing tracks and now they all make mass-appealing commercial music? Now for the rest, you're right, I've already said that my rants have more to do with the fact that I haven't changed whereas the scene did.

ok I admit I don't have much experience with vinyl... actually I HATE vinyl: they take up too much room, weigh a ton, the more you listen to them the more they get worn out, they're a nightmare to store properly BUT it's the ONLY way to get your hands on old B-sides that never were released anywhere else. So anyway, I'll stop my ranting and ask the actual question: is there an objective way to tell if a record should be played at 33 or 45RPM? I mean sure, most vinyls have the speed printed and in other cases you can tell from the track time or BPMs or simply by the sound... BUT sometimes there's no hint of record speed, BPMs or play time on the record itself and the music sound equally good in 45 AND 33 RPMs. So how can you tell then??

hey man can you tell me if the Back to Basics EP should be played at 33 or 45 RPM??? Cause to my ears both speeds sound equally convincing... (man now I know how DJs spinning New Beat felt lol)

well like I said I have nothing against making stuff to pay the bills as long as an artist keeps his main project underground... I wouldn't complain about X-Dream, IM or Transwave if they still made underground music and just had a side-project making commercial stuff... anyway...

man this is just crazy!!! First Chi-Ad and now this... how can such legends have a hard time finding a record label wanting to release their stuff??? Hell if I had the money I'd release it myself!

ah ok thanks for the explanation PS thanks to this documentary I've dug up my copy of Humate - Love Simulation... funny how we can forget such great tracks over time

well yes tatsu to each their own as you say... we'd just be going around in circles with this discussion anyway. Like I said, I guess my biggest problem is that the main psytrance audience has changed but I haven't... ah I'm glad you came up with that... Of course the most "politically correct" change is making chill-out since that works in so many ways. I don't think anyone ever really said that Simon P or Doof went commercial when they started releasing more downtempo than uptempo stuff. Other than that, indeed a little breakbeat goa wouldn't hurt as was a little trend started by Blueroom a few years ago. Too bad that fad died out fast Most notable change there was Deviant Electronics. Now, for other genres to my knowledge only a handfull of oldschool artists actually went to to producing LESS commercial tracks... but they DO exist! The biggest example of them all is Ubar Tmar. He's gone into making conceptual music based on expressing fractals though sound. His commercial success went down the drain (although I couldn't really say that the dude actually had any commercial success to begin with, even in his goatrance days) but hey, at least the dude is trying out some concepts that NOONE else does. Also Graham Woods (former TIP) made a small uncommercial comeback. Also MWNN... this dude was so big at one moment (Teleportation is actually one of Paul Oakenfold's top 5 tracks of all time), he could've gone for the cheeze completley and just make trendy eurotrance and get promoted by the biggest commercial DJs in the world, making shitloads of money in the process... but he didn't and I take off my hat in front of him for that. Thus artists that actually experiment with other LESS commercial styles DO exist and I apreciate their efforts even though I don't always apreciate their new music. Now for expressing love in a goa track well hey psytrance is all about creating atmospheres: positive and negative. The whole idea of a psy party is playing around with the 2 making a "trip" out of music. Now you can interpret the atmospheres themselves however you want depending on the mental state you're in: you could see the sun rise while being with your gf and hearing something like, say, Mindfield - The Knowledge and FEEL love a million times greater than ever (hehe this happened to me once ) so for me there is no problem in expressing feelings through trance, actually IMO psytrance allows a far greater spectrum of emotions in its tracks than any other genre (minimal techno and techstep are always dark, eurotrance and happy hardcore are always euphoric etc.). As far as I know, psytrance parties are the ONLY ones which allow atmosphere changes during the party. now for making house under female nicks and ad music well... I honestly think we'd know if such a thing happened Nothing wrong with paying the bills as long as they keep making underground music... my problem was that when an artist goes commercial he seems to completley forget his underground roots... and for the cover well, in case you didn't know this already I HATE progressive, even more than full-on... so...

Well I just find it hard to believe that ALL the people who used to be underground start making commercial music for creativity purposes... I'm not saying that a few might not do it simply because they also like that style and want to be active in it, but like I said, my problem is when EVERYBODY starts doing it. Of course you'll evetually get tired of one style and want to move onto something else... but why does "soemthing else" has to be more commercial? well what can I say that I haven't already said before? There used to be a time when people would scream bloody murder when Man With No Name signed a deal with Perfecto Records yet his music was FAR from being commercial, especially by today's standards... at the same time Astral Projection came under heavy fire for "being cheezy". Now some heavyweights in the scene release stuff that is almost pop music and it doesn't seem to bother anyone... well yes, I guess times have changed and I didn't, forgive me for that... PS I agree that SOME pop music can sound cool from time to time, I don't have any problems with that... ok, maybe I'm wrong on the definition of acid jazz then... isn't acid jazz sort of like lounge music, stuff like Marc Moulin and Saint Germain? Sorry but for me that music is indeed MUCH more crowd appealing than Transwave... there's a difference between playing stuff in front of 20.000 fanatics that gathered from all around the world a few times a year and playing every night stuff in front of 20.000 people that came only from the town you're playing in IMO... furthermore, just look at the freakin cover!!! it has cheezyness spelt all over it!!

ok acid jazz is less commercial than Britney Spears... but it's a LOT more commercial than what Transwave used to do, no? Same goes with his other side-projects like Deedrah and also his crappy remixes of old Transwave stuff... anyway like I said, forget it... Remember that scene from the Simpsons when Frank Grimes tricks Homer in entering a competition for kids and he enters, wins first prize and Grimes is like "Ah you see how stupid he is?" and people are like "leave him alone, he's done well"... I fell kindof like Grimey now lol

GREAT STUFF!!! but... what's up with the nazi scenes in the beginning? totally misplaced IMHO... kindof like saying that Germany is known in the world only for WW2 and electronic music... WTF? Still, killer stuff PS the underground party with Kool and The Gand LOOOL

ah forget it... once upon a time there were a handfull of artists who decided to just follow their hearts and do whatever music they felt like without trying to follow a trend to sell stuff. They created the underground electronic music scene 20 years ago and people who apreciated originality worshiped them like Gods in spite the fact that their stuff was never played on daytime radio. Whenever such artists dared to roam into the commercial side of things they were HEAVILY criticized by their hardcore fans... But today it seems that things changed. You have former underground artists making fucking pop music and their fans seem to be saying "ah you see, he's not going commercial just to sell more stuff, he's just being creative..." Hasn't anyone wondered just why these artists make more mainstream stuff in the first place? Why does "more creative" necessarily rhyme with "more commercial" these days? But anyway, forget it, I guess what's happening with the electronic music scene today is similar with what happened to rock music after the late 60s... the only hope will be to find some far-away un-spoilt land and wait for a new music form to emerge carrying a new wave of underground artists who are more interested in follwing their hearts than making enough money to buy a new house...

I think it's one more step in the wrong (read commercial) direction...

ah come on, it's an unwritten rule that un-commercial music is "deeper" and more effort is put into it than stuff that's simply made to appeal to a large crowd. Indeed, psytrance and trance all originated from one point but they've gone a LOOONG way since then. I don't think anyone would hesitate on rating the biggest originality bewteen what was psytrance and eurotrance at the end of the 90s... although today... But I agree with the last part of your statement: I guess that maybe it's just my ears that are getting tired of the same style and just want something new. That said I'll check out the link you've recommended, thanks PS pretty irrelevant link but check out the Simpsons doing the jumpstyle lol

well ok with the party crowd (although when you see big gigs like Skazi and Astrix I don't think that the difference between party crowds is really that great...) but that's not all: where do you listen to most music? at parties or at home? for me it's at home (well, actually at work lol), that's why considerations on the party crowd aren't that important to my ears .

what matters is that psytrance was supposed to be more original and creative as opposed to commercial trance... but IMO the tendency has started to reverse latley: just check out the latest IM, GMS and X-Dream for starters, it's not even trance anymore, it's basically pop music with electronic influences... hmm yeah I must admit I've started to lag behind on new releases (simply because I've been so disapointed by the genre latley that I simply don't care anymore). BUT if you have some mind-blowing recomendations I'd like to hear them

well you know, the "next step" in commercial trance since the demise of eurotrance, although in practice it sounds more like hardcore than trance... stuff like and and this and

OK, I know this sounds like blasphemy but latley I've been so dissapointed of full-on that I actually find hardstyle LESS commercial and more creative! Am I the only one?

there, PM sent (actually it's the 2nd one but with the psynews server screwing up latley I don't know if the 1st one passed )

update: so I've finally managed to put everything up for sale. here's a list of the stuff I'm selling in alphabetical order, check out discogs for the details (CD/ record condition, price...) Artist Title Format 100th Monkey & Tristan Desert Music EP Part 1 12" 101 (2) Test 2 / Eastern 12" 12 Moons Back 2 Basics EP 12" A Homeboy, A Hippie & A Funki Dredd Temple Of Love 12" A Homeboy, A Hippie & A Funki Dredd Start The Panic 12" Abfahrt Come Into My Life 12" Acid Jesus Interstate 12" Acid Junkies Unsequenced Extracts Remixed 12" Adrenachrome Soul Ham / Optical Feedback 12" Adrenalin Drum The Israel EP 12" Air Bureau Point Blank 12" Airheadz In The Air 12" Al-Faris & Andrew Wooden Legion 12" Alkahest Twist & Shake EP 12" Alpha Proxima Loopzone 12" Alter Ego Alter Ego 2xLP Aly-Us Follow Me CD5" Analog Pussy Underground CD Analog Pussy Hanging Myself Comfortably / Discotek 12" Andreas Leifeld Communication 12" Anesthesia Plastic Birth 2x12" Anesthesia Membrana / 10 Kilo Off 12" Angel Moraes Welcome To The Factory 12" Angel_One Into Your Eyes 12" Antarctica Adrift (Cast Your Mind) 12" Antarctica Adrift (Cast Your Mind) 12" Antares Moonbeam / Bright Side Of The Sun 12" Antic The Ultimate 12" Apollo Four Forty Krupa 12" Aran La-v Spiritual Wisdom CD5" Art Of Noise, The Metaforce 12" Art Of Trance Deeper Than Deep EP 12" Arte Bionico Arte Bionico E.P. 12" Assign Thirtyone Years 12" Astral Pilot Electro Acupuncture 2xLP Astral Projection Liquid Sun 12" ATC Around The World (La La La La La) CD5" Atmosfire Discover Your Soul CD Atom Strikes EP 12" Atomic Pulse The Safi Collection CD Audibelle Figure / Manoeuvres 12" Audio Assault Planet 303 EP 12" AWeX Back On Plastic Re-remixes 10" Ayla Singularity / Brainchild II 12" Azid Force Magic Mushroom EP 12" Azzido Da Bass Dooms Night (Revisited) CD5" B.B.E. Seven Days And One Week 12" B.B.E. Presents Enter Load And Save CD5" Babaganooshka Babaganooshka CD Baj Ram Deep Spheres 12" Baj Ram 4 Spirits EP 12" Baruka Play It Loud 12" Basic Control Vol. 2 12" Bastard Suns Of Nairobi, The Techno Makoosa 12" Beatmasters, The with P.P. Arnold Burn It Up 7" Beloved, The Crystal Wave 12" Ben Liebrand Minimix 1 CD5" Bent Swollen CD5" Bigwigs Fraktalik Fraterniti CD Binary Finary 1999 CD5" Bio-Tonic Rock Da People 12" Bisto Boys, The Shnarsty / Rock 'N' Rohipnol 12" Blacklight (2) Rave Hard EP 12" Bliss If Heaven Closes (Promo) CD5" BLT This Is Not / Gingischana / Pulp Fiction 12" Blue Pearl Little Brother 12" Blue Pearl Mother Dawn 12" Blue Pearl (Can You) Feel The Passion 12" Boards Of Canada Music Has The Right To Children 2xLP Bomb The Bass Unknown Territory LP Botella Project Sensual Confessions 12" Brain In A Box Space Church 12" Bran Van 3000 Afrodiziak CD5" Brighton Trash Department Costa Del Goa 12" BT ESCM (Sampler) CD5" BT Loving You More 12" Bucketheads, The Got Myself Together 12" Burning Vinyl Fax Me Up-Communication 12" Bus Bullet EP 12" Byblos Oxydium 12" B-Zet B-Zet 1 12" California Sunshine Sinking Sand CD Calstar Basswarp 12" Capoeira Twins Manuela / Southpaw 12" Cappella U & Me 12" Carcharodon 20 Million Years / Deepest Blue 12" Caucasuss Jade 12" Centipede Experimental Sequences Reinforcement For The Big Crusade 12" Cevin Fisher Love You Some More 12" Chemical Brothers, The Leave Home (Disc 1) 12" Chemistry (4) Let Love Rule 12" Chilli Freaks Phunk Fiasco 12" Chris Organic & Prisoners Of The Sun Go Get Some Gravy / Bring Back The Sunshine 12" Chromakey Spiral State / Fears Away 12" CJ Bolland It Ain't Gonna Be Me 12" Code Cities 12" Codex (2) Micro.com / Generator Generation 12" Cooper I Believe In Love 12" Crazy Malamute The Collection CD Crystal (8) Love Is Like Oxygene 12" Cut & Cortex Enforcer / Psyforcer 12" Cwithe I Don't Wanna Shrink / I Wanna Expand 12" Daisy Dee Angel (Remixes) 12" Dario G Carnaval De Paris CD5" Dark Nebula The Door / The Wasteland 12" Darren Price Mechanize / The Attic 12" Darshan M. López Anea 12" Darshan M. López Benno/Bodo 12" Data Entry Pusher / Flow Control 12" Dave Clarke No One's Driving 12" Dave Clarke What Was Her Name? CD5" Dawnseekers Shaman 12" Dawnseekers Gothic Dream / Twister / Neural Net 12" Deep Gong-Song EP 12" Deep Dish Flashdance CD5" Deep Science Dissipate 12" Delicious Inc. Love Me Or Leave Me 12" Denko Denko 12" Denshi-Danshi Cow's Blues / Mariposa 12" Depeche Mode A Question Of Lust 12" Depeche Mode Get The Balance Right 7" Depeche Mode Master And Servant 7" Depeche Mode Dream On CD5" DEX What Is Going On 12" Dimitri From Paris Sacré Français! CD5" Dirty Harry (2) Eye 10" Distortion Orchestra Angel 2 Aplha / Universal Oscillator 12" Divine Inspiration The Way (Put Your Hand In My Hand) 12" DJ Ablaze Based On Acid 12" DJ Dado Metropolis (The Legend Of Babel) CD5" DJ Dado Presents DD Pink Shine On Your Crazy Diamond CD5" DJ Gogo Anjuna 12" DJ Quicksilver Boing! 12" DJ Rasoul Oh Baby 12" DJ Rolando Jaguar CD5" DJ Shufflemaster EXP CD DJ Tiësto In My Memory CD DJ Turn Universal Shock EP 12" DMP Knopex Loop 12" Doi-Oing Airport 12" Doi-Oing Hotel 12" Don Pablo's Animals Ibiza '91 / Smoke On The Water 12" Double Muffled Dolphin The Lions Are Growing CD D-Plac A Cif CD5" Dr. Baker Reality 12" Dr. Baker Do What You Want / How I Wanna Feel 12" Drax Tales From The Mental Plane 2xLP Drax Drax Five 12" D-Shake Yaaah / Techno Trance 12" Earth Nation Terra Incognita 2xLP Earth Nation Amnesie 2xLP Eat Static Lost In Time 12" Eat Static Gulf Breeze Mixes EP 12" Eco (5) Skaturday / Trigger Hippy / Blissville 12" El Loco Ibiza 12" Electron Wave The Uncertainty Principle (Reissue) CD Elysium Dance For The Celestial Beings 2xLP Elysium Celestial Sounds And Neurotic Tribal Beats CD Erasure The Circus Live (1) 12" Erasure The Circus Live (2) 12" Erasure Drama! CD3" Eric Sneo Mysterious Playce 12" Essence (7) Pure Distinction EP 12" Essential Chrome Cube / Wastland 12" E-Trax Let's Rock 12" Eurorave 12 Inz 12" Evolution (2) Oscillating Phenomena 2xLP Exit 100 Liquid (Promo) 12" Extended Spirit Solid Water (Remixes) 2x12" Factor Hemisphere II 12" Fatboy Slim Demons CD5" Femi Kuti Beng Beng Beng 2x12" Filter Tip In Season 12" Filur Deeply Superficial CD Filur You & I CD5" Fletch Space 12" Fluke Atom Bomb 12" Fluke Absurd 12" Fluke Absurd: The Remixes (Promo) 12" Four Carry Nuts Bausubstanz 12" Fragma Toca's Miracle CD5" Frankie Goes To Hollywood Two Tribes 7" Fred Numf Universal Language 12" Fred To The Midwest To The Midwest Again 12" Front 242 Happiness 12" Funk Parlor, The Something For The Dancefloor 12" Funkstar De Luxe Funkturistic CD Furyon Trance Exploder 12" Fuzzion Dazzed And Confuzzed 12" Gabrielle Out Of Reach 12" Gaia 4 Elements 12" Gangrene Sickness EP 12" Genetic Momentum / Enter The Dragon 12" Gerd Arkest's Blaze 12" Giorgio Moroder with Philip Oakey Together in Electric Dreams 7" Glissando Bros. Sly's Ride 12" Gloworm I Lift My Cup 12" G-Netic Feel The Rhythm 10" Goochie & Dharma B Train 12" Good, The Bad, & The Ugly, The La Caixa / El Mariacchi 12" Goodshape Take My Love 12" Gorlation Corporation Die-Mentor / Yapsta 12" Grace Skin On Skin 12" Green House Effect Sandman EP 12" Greenman Sidetrippin 12" Grid, The Texas Cowboys 12" Groove Armada I See You Baby CD5" Groove Armada Purple Haze CD5" Gus Till Cheesecake / You'll Be Mine 12" H & Claire All Out Of Love 12" H.I.M. White Sports 12" Hallucinogen Twisted (Reissue) CD Happyhead Fabulous 12" Hara Gobi Party Junkies 2xLP Hardfloor Respect 2xLP Hardfloor Respected Remixes 12" Har-El Prussky & Dardasman Virus 2000 12" Havana Hitch 2xLP Highpersonic Whomen Clone Collective 12" Hithouse Hithouse LP Hole In One Life's Too Short CD5" Hopefiend Fly Hard Go High 12" Human League, The Filling Up With Heaven (Hardfloor Remixes) 12" Humate & Rabbit In The Moon Hemispheres EP 12" Humate & Rabbit In The Moon East (Remixes) 12" Hypnosys Joker / Fantasian 12" Hypnotist, The Death By Dub Remixes 12" Hypnotist, The House Is Mine '96 2x12" Igneous Sauria Enigma / Metamorph 12" iiO At The End 12" iiO At The End CD5" Illumination Hope To God 2x12" In R Voice Crying Universe 12" In Sect Slammer 12" Index ID Arktika 12" Insane Creation Te Fööl / Upload 12" Intrance Te Quierro '97 (Part One) CD5" Jacknife Springboard EP 12" Jade 4U Lover 12" Jakatta My Vision CD5" Jam & Spoon Find Me (Odyssey To Anyoona) 12" JamX & De Leon Mind Made Up (Disc 1) 12" Jean-Michel Jarre Tout Est Bleu CD5" Jean-Michel Jarre Equinoxe LP Jean-Michel Jarre Magnetic Fields LP Jean-Michel Jarre Zoolook LP Jeremy Healy & Amos Stamp! 12" Jii Hoo Let Me Luv U 12" Jiri.Ceiver Trental (Remixes) 12" Johann Bley Leave Your Body / Ghostride 12" Joujouka Re-Psycle Frequency EP 12" Joujouka / Sugar Soul Rock Is Sponge / Shinjitsu (Remixes) 12" Juno (2) Together 12" K90 Genesis / Phantasm 12" Karuma On Y Va 12" Kavana Funky Love 12" Kenny Hawkes Jet Sex 12" Kevin Yost Tease 12" Kevin Yost & Peter Funk Another World 12" Kinder Atom MMM! 2xCD Kode IV Dissolve 12" Konya Come On 12" Kopfuss Resonator Slotmachine / Oink 12" Kopfuss Resonator Give Her The Fuck 12" Kosheen Hungry CD5" Kraftwerk Expo Remix CD5" Kuffdam & Plant Seduction 12" La Systema Dolorosa La Systema Dolorosa 12" Laibach God Is God (Optical Remixes) 12" Lamya Empires CD5" Lange Follow Me 2x12" Limited Growth Prisoners Of Ectasy 12" Lish Electric / Hollywood 12" Little Jam Alone In The Desert CD Living In A Box Living In A Box 7" Lords Of Octagon Untitled 12" Louis Clark Hooked On House 12" Luis Paris Incantation CD5" Lunaa Technique Et Sabotage 12" Luxor (2) Back To Love (Remixes) 12" Madoka Coppola / Temperamental 12" Madonna Die Another Day CD5" Magnat Saga 12" Magnat The Saga 12" Magnetic Pulstar Tatanka E.P. 12" Mark 'Oh Randy (Never Stop That Feeling) 12" Mark Snow The X-Files CD5" Marmion The Spark, The Flame & The Fire (Remixes) 12" Marusha Wir CD Marusha Deep CD5" Marusha Over The Rainbow (Remixes) CD5" Massimo Vivona Fidelity 12" Mathuresh Link CD Mauro Picotto Lizard (Gonna Get You) 12" Maxx, The Hoe-Chico 12" Mayaku Tamiami Trail 12" MDM Mash It Up CD5" Meeker Save Me CD5" Members Of Mayday Great CD5" Members Of Mayday Soundtropolis CD5" Michael Jackson Stranger In Moscow CD5" Microtek Feel Free 12" Mike S. Jake / Domenikus / Double Box 12" Mind Abuse Live At The Love Parade 12" Mino Metallic Universe 2x12" Miranda Real Rush CD MLO 2 Voyages 12" MN8 Tuff Act To Follow 12" Mobile Bitch Mobile Bitch 12" Moby That's When I Reach For My Revolver 12" Moby Run On 12" Moby Hymn 12" Moguai Best Before End... 12" Montini Experience, The Rock Your Body 12" Moon & The Sun, The Part 1 Of 3 12" Moon & The Sun, The Part 2 Of 3 12" Moon & The Sun, The Part 3 Of 3 12" Moony Dove (I'll Be Loving You) CD5" Morcheeba Otherwise CDE (Enhanced CD) Mos Eisley Statik 12" Mosaic III - Dance Now CD5" Mother's Pride Learning To Fly 2x12" Mousse T. Gourmet De Funk CD Mr. Zino Land Of Trance 12" Music Instructor Electro City CD N-25 Unauthorized EP 12" Nemo (5) Spacemaker 12" New World (2) Mission 717 / Time Mode 12" No More Ugly Germans / T'N'I Educate The Masses / Paris 12" Noel W. Sanger All We Are CD5" Nomad (2) Hyperactive CD Noosphere Carpe Noctum / 23rd Chromozone 12" Nova Nova Nova Nova EP 12" Object, The Theme From Terminator 2 12" Octave One The Living Key 2x12" Odysee Of Noises Lucifer 12" Off And Gone Everest 2xLP Ohm (5) Skydiver 12" Olmec Heads, The Magic Man 12" Organic Noise Vacuum Tube 2xLP Original Creators, The Running Child Running Wild 12" Out Of Phase The Future Sound Of Cairo CD Outer Active Fire From Within EP 12" Overhead Noise In The Heat Of The Night 12" Pat Krimson Taboo Bells CD5" Paul Brtschitsch Development 12" Paul Jenner Trance Emission 12" Paul Johnson Get Get Down CD5" Pendulam White Prince 12" Perfecto Allstarz Reach Up (Pig Bag) 12" Pete Namlook Atom CD Phaser Unbalanced 12" Phasis Get On The Groove 12" Planet Funk Who Said (Stuck In The UK) CD5" Planet Funk Inside All The People CD5" Planet Perfecto Bullet In The Gun 12" Planetoid (2) Another World 12" Plantastik Wak'd CD Plaste & Elaste Vol. 2 12" Plutone 's hands on Yello Oh Yeah 12" Poltergeist Vicious Circles 12" Poltergeist Vicious Circles (Remixes) 12" Pop Will Eat Itself Wise Up! Sucker 12" Prodigy, The Charly 12" Propellerheads Bang On! / Dive! 12" Public Art River 12" Pulp Victim Dreams Last For Long CD5" Pulp, The Metal Techno 12" Push Tranzy State Of Mind 12" Qorg Factor 12" Quadrophonia The Wave Of The Future 12" Quirk Dance With The Devil EP 12" Radical Chic In Da Shadows 12" Ram Jam Black Betty (Remix) 12" Ramin Fascinate / Pangaya 12" Ramon Pyx Form 12" Rapino Brothers Versus Trip Ship Go Ahead London 12" Raul De Chile Party 12" Razor's Edge Exquisite Sin 12" Resistance D Echoplexing 12" Rhythm Device Higher Destiny & Dream Trance 12" Rhythm Kings One For The Money 12" Rhythm Of Life You Put Me In Heaven With Your Touch (Promo) 12" RinneRadio Pfft CD Rip Van Hippy Waking Up Is Hard To Do! CD Ritmik Delirium Back On The Beat 12" Robert Miles Fable 12" Roger Goode In The Beginning... CD5" Rootsman, The The Final Frontier - The Rootsman Remixed LP Rotterdam Termination Source Poing 12" Royal Gigolos California Dreamin' 12" RR Workshop Spotlight 12" Russian Key Kasachioff CD5" S.M.I².L.E. Glade / Sumer 12" S.O.L. Pulsar 12" S.U.N. Project Sexperimental (Limited Edition) 12" Sade Untitled 12" Sandman (2) Witchcraft 3xLP Saucermen Aquarius CD5" Scan Carriers Jamba 12" Scientist, The The Exorcist 12" Scooter How Much Is The Fish? 12" Seducer (2) Upload 12" Shakta Out Of Sight CD Shakta / Digitalis Out Of Sight / Falling Down 12" Shamen, The Make It Mine 12" Shift (2) White Widow / Black Widow 12" Shimmon & Woolfson Welcome To The Future 12" Side FX Primitive Origin 12" Silicon Dream Ludwig Fun 12" Silverlining Eventualities EP 12" Silvio Ecomo Woodworks 12" Simple Minds Waterfront / Don't You Forget About Me 12" Simple Minds Untitled 12" Sinéad O'Connor Troy (The Phoenix From The Flame) CD5" Sister Cyrex Frequently Asked Questions 12" Skintrade Andomraxess 12" Slacker Your Face 12" Smoky Sessions Acid Robot / Acid Angel 2x12" Smooth But Hazzardous Help Me 12" Soap Club 69 (Freq. 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