Ormion

1.Nationality and Age? Greek, 28 2.How old were you when you attended your first rave? Where? 20 in Athens IIRC 3.Describe what you feel when you are at a rave? I feel good... 4.What is your opinion about spirituality at raves? Are they spiritual? Why/why not? It depends the music. 5.Is electronic music enough to make one feel connected to the energy or are drugs a necessity? Why/why not? It's enough, especially psychedelic trance. 6.What do you think of a DRUG FREE rave? I don't do drugs, so I don't really care. 7.Would you ever attend a DRUG-FREE rave and be sober simply for the love of the music and the vibe? Why/why not? Yes and done it many times.

The 2000 remix also known as Y2K remix IIRC.

Nice, unique and fresh, but like I said before almost incomplete. The tracks have no intros or outros (well the cd is slightly mixed so maybe that's the reason), no real storytelling or twists and turns. The bass is nice and groovy, but after a while I was hungry for more. To be more specific all the tracks start interesting, but lead nowhere IMO. Still Ozmali has potential and I'm really curious for his future releases. The best are coming. Fav track Martial Arts. Trippy!

+1

It's the exact opposite of slow prog.

Ok, I gave it another listen today and I agree that some melodies sound a bit cheesy and clubby, but I believe that was intentional so it would sound like a psychedelic rave. And that's why is so entertaining (and IMO better than Delirous Noon, which to be honest I didn't like THAT much). Though I still can't understand when you listened a childish melody in a SA track... Anyway

I'm gonna leave the golden days labels outside (Dragonfly, Flying Rhino, Matsuri etc.) Ok, let's go! 1. Timecode - 22 (I only miss 4. Best Psytrance label ever) 2. Nexus Media - 18 (I only miss 1) 3. MMD - 7 (All) From then in random order Trishula - 9 Digital Psionics - 14 Suntrip - 14 Yabai - 10 3D Vision - 15 Avatar - 19 (Re-releases inscluded) Ultimae - 10

Well based on my quick listen I found the melodies more entertaining that the Delirious Noon ones.

I gave it a quick listen and it sounds something between Furious and Delirious Noon. It's harder than Delirious Noon and more melodic than Furious.

Electra is the most maximal track ever made.PERIOD.

Nice!

That no matter what thread it is, Simon will always make his appeareance.

Prism is a side project of Scorb. http://www.discogs.com/sell/item/14118825?ev=bp_titl

Many Goa racks have rolling basslines. Too many to mention. But the group that put rolling basslines and full on in general in our lives were GMS.

Psytrance is my life.

Soooo true! I LOVE full on bass when is aggressive, liquid and low pitched. The israeli screaming bass though makes me wanna puke.

Yeah I agree with that. Quite possibly a lot of the old school artists produced Goa, cause Goa was hot back then. Then Full On became more popular and the artists jumped on it. And like Basilisk said the cycle continues. The real question IMO is: Who jumped on the full on backwagon first? The artists or the audience? Did some artists change their styles to full on, ppl liked it and everyone else followed or did artists change their styles to full on and ppl didn't complain? Wait! That's the same!

The track from 6:52 to 7:09 is impossible to identified, since all you can hear is a drumbeat. The track from 7:09 to 8:04 is 100% something from Psychotic Micro, Toxic or Winter Demon.

It's simple. Ppl like Full On. Artists must live from their music. They conform to Full On. It could be worse though. They could conform to progressive.

The Matrix is possibly the most quoted movie in the psytrance field.

The track from 00:00 to 1:17 must be something from Damage. The track from 7:09 to 8:04 must be something from Psychotic Micro, Toxic or Winter Demon. Hope that helps.

Oh come on! That's so easy Gods Of Psytrance-The Dealers

Thanks guys!

http-~~-//www.youtube.com/watch?v=x39bkXxHYv4