Alek

Great! Keep up the good work Suntrippers

Good news! Nice to see that Argentina's scene is developing.

Shit OD you were quicker with your posting skills... point is the same, i just elaborated a bit

As a matter of fact, out of the 10+ established South African producers 0 are black... a common missconception, you see "africa" you think black... in most places where SA is represented (sports, music, etc) the people are overwhelmingly white, even though in SA they are vastly outnumbered by blacks. I have quite a few South African friends and every single one is white... All this comes down to something called apartheid... it is no more, but the scars are still VERY visible... Now out of the off topic... Those artists DP listed are pretty anonymous, I have heard of Mubali and no one else... A very interesting "phenomenon". I've met few black people through my life... but one Arab guy (although pretty black) asked me for some psytrance... I burned him an mp3 and he quite enjoyed it, pretty much went crazy for Mandalavandalz... too bad he has no chance to visit any parties...

Fuck, thanks for pointing it out... I meant there was a powercut in my home and my review got lost at 90% complete... No powercut at the party, it went as smooth as shit In short... very shitty party, dissapointing set by Simon... sad but true, although it didn't stop me from having a great time!

Well... if there was no power cut you would not be seeing this... you would be seeing probably the 3rd longest post I've ever made... Theoretically I should be pissed... but I'm not the slightest bit. I'm pretty happy that i can continue with my short posts™. It was a crazy and enjoyable night with dushan and jelena... and lots of FUN. (seraph and kailash)

Jog wheel: unless you move it, it's static... unlike vinyl. If you spin it one way (clockwise for example) with your finger the track will play faster, like fast forward... naturally, the faster you spin the jog wheel the faster it will forward... spinning the jog wheel the other way goes to rewind, same rules apply. When you're not spinning it, it doesn't move If it doesn't move the track plays normal. You can also nudge the wheel bit by bit until it fits into whatever you want it to fit into. The thing is that the speed increment is so small that you can do precise actions with the jog wheel. Example: there's a break and you CUE at the very climax. However you most likely don't have lighting fast reflexes so you will be a bit off... miliseconds count here. Worry not, once you set the CUE you can "fine tune" it with the jog wheel... moving a very small amount (i dont know the exact measure) of time, finding the perfect spot where to release it... you can preview what you cued and tune some more if you're not happy. The master tempo control is on the player itself, just like pitch control... not on the mixer, so it applies only to the player on which you set it.

Ok here it is in short and as simple as it can be... I'm sure someone will jump into details. You probably already know you got 2 decks (CDJs) and a mixer. Then you've got the PA system (speakers aimed at the unsuspecting crowd), a monitor (aimed at you, playing the same as the PA system) and headphones. The principle goes as follows: Deck#1 is playng a track at 145bpm. You've got a track in deck#2 at 140bpm. Switch the headphones to play deck#2 only (choose which channel the headphones play on the mixer)... now you got deck#2 coming on the headphones and deck#1 coming on the monitor. Increase the pitch (speed of the track) on deck#2 until its the same speed (as close as possible anyway) as the one on deck#1. "Align" the beats on the two tracks using the jog wheel (which is theoretically a very slow rewind/forward function). Now that the two tracks are of (almost) the same speed you can mix them (put both channels on the same volume level so they are coming out simultaneously out the PA). The choice is entirely up to you how you go about it and depends on the track. You need to know that mixers have frequency kill switches... low kills the bass/kick and high kills the cymbals, there is also medium frequency kill. What's the use you ask? Using a pure example: you usually dont want two basslines playing at the same time or two cymbal rolls... so you kill one on each track... or both. This will ease the transition between the two tracks. After you comprehend what beatmatching is, there are actual techniques to consider... its best to have a more experienced DJ show you this in person. Watch, learn, practice. There's also the very useful feature of CUEing... will discuss it some other time. As you might have noticed, some CDs have bpm listings for tracks in the booklets, this can help you a great deal. It gets a bit more complicated when you are not aware of what bpm the two tracks you're mixing are. Although practice cures all... Also, about pitch control... different CDJs have different pitch precision. For example the Pioneer CDJ100 can pitch up/down a track by 0.1% while the new CDJ200 is more precise at 0.02%. So for every 1 step of the 100s pitch, 200 has 5. This means you can get closer to the bpm of the track you're mixing. Less pitch precision = more jog wheel riding. This means you will have to continuosly correct and realign the two tracks as one goes faster/slower than the other. So precision is very useful for long mixes since you won't have to be fixing all the time... Since you say you don't get beatmatching at all this should be helpful to you... All I can say is DJing can be very FUN, but you need skill... and skill comes with practice. Enjoy!

Shpongle without a doubt. Entheogenic is also very nice... Shulman is alright, but can't compare to the two.

Yeah I get all excited listening to people talk about the hallucinogen and then I think "Oh yeah, Twisted... it'll be a while..."

Well, the closest to being "new school" and still sounding good would be Filteria... Talpa is also nice but hardly new school, and his new stuff is getting more orchestral. SynSun stopped making music :( but if he was still at it he would be kicking ass (fight fire with fire). Goasia is a guy who loves the 90s goa and doesn't get the past 5 years, so that's who you should be looking out for if you're looking for "old school with better production quality and new tricks". Ethereal, Ypsilon 5 and Lost Buddha are all very nice

Leave it to the Ozians for that sweet sweet funkadelia... conseidering they are Ozians? Being hosted on mikseri would say otherwise...

If not for spugadelia I would not be here now...

Fractal Glider WAS very good...

I know Proetus. I like Proteus. I know Error Corrective. I like Error Corrective. I will get this mix!

You make an interesting point...

Hehe... can you actually re-read what you wrote and find at least some sense in it? You seem very good at misinterpreting what I write, I assume with full intent. Angry? Are you serious? Practically in those two threads, after I have complied with all your rules to make the thread reply-worhty, and made some strong arguments, you backed off like a bitch as soon as you realized you were against the wall. Big on words and accusation, while not so much on facts... as you wish but you cannot expect me to regard your words with any respect. Please notice I'm not being bitter or vengefull or whatever preordaned stereotpye you wish to shove me in... my honest oppinon which in the end doesn't even matter

Last year was really great. Nice vibe, small international crew... good music, beutifull sea! Good times

"This is not about you, you egomaniac" Haha, sorry... but yeah, Fairytale gave me the 'inspiration' for the topic Yepski, this topic is made so we can bash you, without expecting a reply from you. Let's get real? Oppinion is entitled to everyone. Maybe not the usual, and maybe no need to pregroup me before I actually answer your question Are you lying or are you ignorant? I fail to see another option. Whatever: http://www.psynews.org/forums/index.php?sh...pic=21334&st=20 http://www.psynews.org/forums/index.php?sh...ic=24788&st=120 I don't really care if you answer this now or not, although it would be very interesting to see. I don't think it's very respectful just dissapearing from a conversation such as that. Of course. Clearly not one of those situations... Do you react the same to reviews? This is called feedback, I'm telling you what I think. If you don't care then you go CTRL+W (in Firefox). It's my oppinion and no one should care... it's a forum Now if you could answer my question: how exactly did you gather that this was about "who did it first"? Asura: Well you need to see I'm not telling you what to do, I just get dissapointed when I hear the exact same sample in two different and original songs... kind of breaks the whole originality thing. There's no fullproof way of avoiding this... but some things do help it occuring less. Your choice in the end, just giving my input. Btw, good song, and it was very well used Shaft: yeah

You might want to check who you're talking to, because I've got no fucking clue what you're on about. What topic what dat what YB? Anyway, I grow tired of talking to you EP... you take it personally and put stuff in my mouth like "who came first" which I never said or implied... besides, you don't have the decency to finish a serious discussion which kinda pisses me off. So I will not make it happen for the third time, but read my post again minus the bitternes.

Triggered by EPs use of the vocals that hop in about 3min in his track Fairytale. It's been used before by Shpongle. This has nothing to do with my personal thoughts that all samples used should be original, this is reusing the unoriginal. There seems to be a sample disk floating around which people seem to consider highly usable unaware that it's been used and overused. Examples: 1) Voices of Istanbul. Same Turkish singing can be heard at the end of "Around the world in a tea daze" and Asura's song "Lost Eden" is actually the entire vocal part. 2) Entheogenic and OTT using the same vocal samples on their debut albums. Can't remember which ones, but give them both a listen and you will hear. 3) Shpongle and OTT in general. Sure you can't get on a bus and tour Africa recording samples, but for fuck's sake change the CD... always the same samples that can be heard in mainstream music and many other forms of chill music. And we're talking about the best of the best our scene has to offer. It's not some kid in Israel whose daddy just bought him a synth. There is so much originality in their music yet this sample business is a complete contradiction of originality. The samples are not even modified, it's just played as-is. Does anyone agree with me on this? If you're gonna use a sample off a CD, you can't expect to be the only one using those samples considering they come from a highly popular sample disk anyone can get.

*pissing with delight*

If you axe me, generalizing an enourmous genre such as rock is pretty pointless... there's too many differing genres within it. I like rock music because... There is much room to grow. Take the guitar for example, you can spend years learning how to play, develop new skills and techniques... and each one sounding completely different you wouldn't belive it came from the same instrument. Synchronized instruments. I find it really spectacular when you can hear at the same time: drums & percussions, 2 guitars, bass, 2 keyboards & flute and it all fits together great! Giving a full audio experience of harmonized instruments playing on different frequencies. Which leads me to... These musicians playing their music live. Each instrument is a person, which cannot be programmed, so it's all down to skill. This might not matter in some genres, but when the music get's really complex (changing time signatures, being one example) and everyone manages to pull it off, the result is orgasmic . Plus there is as much room for experimentation as there is for mistakes on the fly. Vibe. There's a certain vibe to every kind of music... hard to put into words, but it defines your lifestyle in some ways. Psytrance is a perfect example. I recommend you listen to the Ozric Tentacles and Pink Floyd. And the solo at the end of Sultans of Swing by Dire Straits off the Alchemy album Hah, if MTV has come to represent what rock music is then we surely live in a twisted and sickening world...

Nice! Although I don't mean to be an unapreciative s.o.b., but perhaps one day we can hear another schlabb2 style comp? I would instantly piss myself...

Haha... i assume you try to provoke rather than think? There's difference in taste and then there's bullshit... I wouldn't know who else to mention. Apart from perhaps Texas Faggott who've been representing the Finnish spugadelia for a long time... and can still boogie down