Jon Cocco

Kasper, what's the status of your electronic music? Do you still produce? Obviously many years have gone by since your Goa compilation-esque album. Can you imagine what you could create today given the time that's gone by? Your work is imaginative, very catchy. I'd love to hear more of your Goatrance and other music you may have produced too. Have you considered speaking with Dreake? Maybe there's a chance hearing one of your new Goa songs on one of their upcoming compilations if you're interested? PS: I love the sound of Sonorush so much that I put part of it in one of my short videos (link below). I wish there was no beat in the intro, it doesn't need it. I also wish that the song developed more. You've created some wonderful work.

Great album. My friends love Rain No Water despite my nitpick on length (that's quite subjective). It's a beautiful track. This album was overlooked by many in 2012. RA fans, downtempo fans check this out. The album's filled with distinct and creative songs like Rain, No Water, Ascend, Shift, Unearthly, and Celestial Slice that are worth the price of admission alone. The album expands the mythos of RA, of downtempo and electronic music -- incorporating ambient, atmosphere, and even touches of Goa. While not every song is a gem to my ears, the overall album is I think. BUY LINKS: Altar Records: http://www.altar-records.com/ra.html Psyshop: http://www.psyshop.com/shop/CDs/alr/alr1cd031.html Amazon: http://www.amazon.com/s/ref=nb_sb_noss_1?url=search-alias%3Daps&field-keywords=ra+unearthly

While I understand the point of showcasing already released (to album) tracks on a compilation, I greatly prefer listening to compilations with all new songs, as opposed to ones taken from albums I already own. The latter diminishes any chance of me buying the compilation. Newer compilations that I prefer in that regards include: - Temple of Chaos (Suntrip Records) - People Walk Funny (Cronomi Records)

According to Discogs this came out in 1995 http://www.discogs.com/Various-Distance-To-Goa-1/release/37728 I like compilations where all of the songs are new and haven't been taken from albums I already own. Either way I haven't heard these songs before. The Total Eclipse tracks are really good, especially Far Beyond Speech (!!!) which is superb IMO. Everyone has their favorites though. Favorite tracks: 1, 4, 10

What? I didn't know they released anything since 2004's That Much Closer To The Sun I just found a new 2013 Abakus album called Silent Geometry, really good below. Google also brought me here. http://www.youtube.com/watch?v=Xc7vDtQ8Qso

- Pleiadians: I.F.O. - Hallucinogen: Twisted - Etnica: Live In Athens 1996 - Filteria: Daze Of Our Lives - Hallucinogen: The Lone Deranger

I listened to the full album for the first time ever today. Unstable is a very distinct, rough and melodic Goa album. It's interesting, different. There's some great creativity here. Some tracks however utilize similar sounds and stand out less in that regard. Tracks that got my attention (and hooked me) the most: 1, 4, 6, 9 Everyone has opinions which is good. Unstable (self titled track) is intense, strong and climactic. I don't find it THAT dark though, but that's me. I think some of you heard it on mushrooms or whatever (probably more the whatever) and the song left an imprint on your consciousness. Regarding The Zinc-Plated Goddess that's been discussed. I though that the last (mid-tempo) track kicked ass. For those who haven't heard it, YouTube is your friend

I wouldn't limit Best Goa albums to three. The 5 below I'd give a solid A to. Some of the best Goa is reflected in certain songs on other albums. Just listen to N.D.M.A.'s Vitan track, and there are countless others by different artists. The best groups that influenced Goa include and are not limited to: Astral Projection, Battle of the Future Buddhas, Chi-A.D. Cosmosis, Dimension 5, Doof, Electric Universe, Green Nuns of the Revolution, Infected Mushroom, Jaia, Juno Reactor (not pure Goa), Khetzal, Man With No Name, MFG, Miranda, RA, Sandman, Tandu, The Infinity Project, Transwave, UX, X-Dream. - Pleiadians: I.F.O. - Hallucinogen: Twisted - Etnica: Live In Athens 1996 - Filteria: Daze Of Our Lives - Hallucinogen: The Lone Deranger

I've heard of Deviant Electronic's name, but I don't recall their music. I like when old school artists re-release and remaster solid songs from their era that were unreleased or rarely known before. It's nostalgic and often very appreciative and enjoyable. This was especially the case on last year's Dimension 5 albums. Listening to the samples now. They're catchy.

ROFLMFAO!!!! Oh please (laughing), make it stop. I can't take it. My heart! I need to breath. - That was my reaction 5-10 years ago. UX's Ultimate Experience is an awesome album. You gotta love opinions. We all have them, different tastes. Many love this album. Some don't and I accept that. Some find this album boring and I accept that; I don't agree but I accept that. I used to argue opinions and now I realize doing so, such behavior is pointless, primarily when it comes to something so personal as music, films, etc. Let light in and evolve. As one grows consciously, they expand consciously; they enjoy and appreciate certain things (and occurrences) more than ever before. Just enjoy life! No need to judge or name call. We can solve many of Earths issues with positive thinking, knowledge, love, intuition, truth, and by sharing ideas for positive change. Just like we raise awareness on these threads for great releases. Focus on the positive!

I was listening to the 2012's #1 uptempo winner, Etnica: Live In Athens 1996 (I couldn't agree more), and reading the reviews that mention Carlo and Maurizio. In the group, there were: Andrea Rizzo, Carlo Paternò, Maurizio Begotti, Max Lanfranconi. Can someone please reach out to these guys and put the idea out there for them to make a new GOA album?, whoever was most responsible for I.F.O. ? As opposed to the 2006's 7even Sister7 -- that album used Pleiadian's name to make money off a full on release. 7even Sister7 offered nothing innovative or new, and borrowed heavily off the previous album/song associations to lure older fans into buying it. For example, the album is called 7even Sister7 and has song titles such as Vimana 2 and Starbase 11. Still for a full on album, I liked it to some degree, especially the less I focused on the fact that old-school Pleiadians had anything to do with it. Pleiadians: 7even Sister7 - 2006 Review Thread http://www.psynews.org/forums/index.php/topic/43760-pleiadians-7even-sister7/ Etnica: Live In Athens 1996 - 2012 Review Thread http://www.psynews.org/forums/index.php/topic/65428-etnica-live-in-athens-1996/ I realize it's been 15-20 years since I.F.O., and so what? These guys are aware of how many fans they have. They have a wonderful gift, a beautiful talent and passion. They elevated an entire genre [under THREE artist names] and produced some of the finest songs in electronic music. It's almost criminal to see such talent be ignored. They could be making a new masterpiece album once every 5 years (around the less innovative ones that the current Etnica duo do) and have DAT Records release it. Psy/Goa-Trance has been alive and healthy for over ten years. I'd love to hear a new masterpiece from whoever or however many of the original four were responsible for I.F.O. The possibilites are limiteless. They could potentially re-revolutionize electronic music all over again (who has ever done that?!) and raise the bar on I.F.O. since it's been 15 years. 15 years of reflection, self-growth, knowledge, awareness. I feel like money may have been an issue back then considering GOA wasn't as mainstream popular via sales. So they (or some of them) found other, more financially stable careers (a guess), or produced less imaginative and complex music for the masses, general dance scene. BTW I'm not saying to relive the past. I'm just exercising the idea of a real Goatrance album for our time now, that is, if the heart is there. If not, forget it. Listening to Etnica: Live In Athens 1996 inspired these thoughts. That's all. Their main discogs page: were http://www.discogs.com/Pleiadians-IFO-Identified-Flying-Object/release/143500 And for the record (regardless of whether we never hear IFO level goa from them again or not), Etnica: Live In Athens 1996 that Dreake A.K.A. Dat Records released in 2012 is an amazing A album. Holy shit what a classic. It's full of previously unreleased diamonds and gems (from 96-98) that I never heard before its release in 2012.

Don't judge a book by its cover. I can look past forgettable album covers. That's not why I listen to music. I am also a fan of the first album, Spiritual Healing. Unfortunately, I lost nearly all interest after his second album, YOU. I paid around $20 for it, and wish I didn't buy it because around the solid music, the did not like how turned up the hard beat was. It killed the album for me. That appears to be the case on this third album. Whereas many electronic artist albums balance out the sounds with the beat so that the music is more immersive (See Tim Schult's mastering which many consider great), Muses Rapt's audibly higher and repetitive beat (albums 2+3) take away from the music, some of which is beautiful and filled with heart and emotion. The music is too poignant for the decibel level of the beat IMO. How hard is it to go back and adjust the beat so it's not over-empowering to the point it's distracting and takes way from the music? This is a production issue that is easily fixable! To Manuser - I listened to Human in its entirety. It's a solid track, I agree. I simply wish that the beat was roughly 12-15% lower in volume. Some complained about this on the second album, while others didn't. This third album at least seems better than the second one, musically. Juan Fernández is too talented to keep sabotaging such a good thing. I do hope that he takes feedback constructively and seriously. His first album was very well done and showcased some wonderful work.

Cybernetika: The Scythe Of Orion Ektoplazm Records 2010 1. Lost Technology 2. Impossible Mirage 3. Tyrannis 4. Transmitter 5. Cryostasis 6. Molecular Probe 7. Calling Mercurio The Scythe Of Orion is superb thanks to its visionary approach that includes strong atmosphere, sci-fi/space, cyber, technology and more! The sub-genre crossovers are fantastic on this album. 1. Lost Technology begins dark, setting precedent for the rest of the album. There is a sample from Dark City early on. Then the atmosphere grows thick. Soon after, a bass line arrives that adds to the darker feel. The synth work is intriguing. A lead enters around 3:00; others soon join the voyage. There is even an opera tune in the fifth and sixth minute, before the interlude. This is just one example of the innovative aspects of this song. The interlude is interesting (without spoiling) and the returning music is powerful and chilling. The ending especially strengthens the mood and is cinematic. This is an epic song in the sense it's 13:56. I'd say that's pretty epic as opposed to using the word synonymous for excellence (it's that too). I love that the artist takes risks and the imagination, in addition to having awareness for what works and is engaging. In doing so, he seems content on pushing the limits, increasing what's possible with the track. The results are fantastic. Finally a talented artist with balls. Lost Technology is a superb track, and you haven't even heard the best on this album yet. A 2. Impossible Mirage has less varity than the opening, however it develops nicely and grows with strength and intelligence. The metallic synth effects are great along with the atmosphere. The dark driving force is relentless and filled with creative soundscapes. But it's the transition around 5:35 into the final third that really stands out. The combination of melodies feel present with the worldy atmosphere they inhabit, and grow catchier as they progress. The song evolves further at 7:15. Synth sound effects are utilized in a way, that they sound like a spinning blade skimming across pieces of wood. This approach is used as a synth lead in a sense, and enhances the feel of the song. The concept reminds me of the metallic synths on Toi Doi's Technologic to some degree too. Only here it's quite different. The artist's song isn't repetitive (one of my issues with Technologic at times), but remains interesting and edgy throughout. The song is like a quick character who doesn't seem to possess many abilities. But by the end of his training, he returns with all types of sweet weapons and powers that add to what he's capable of. Excellent track. A- 3. Tyrannis along with the others, begins with character, mood and tone. This was more present on Lost Technology due to its intro having more ideas and development. I love the more higher octane feel of this song. It's very animated, versatile and dynamic! These are reasons why I love Goa-Trance (songs evolve). This artist has crossed over some of the best ideas from Goa-Trance while implementing many of his own into a Psy-Trance friendly world as if both have become one. At 3:14, one of the catchiest leading synths arrives. This thing (catchy/intensity wise, not similar sounding) is like something out of Tandu - Multimoods! The second supporting (gothic choir-esque) element that falls in is terrific, as well as an effect that soon follows. The song is fantastic, and we're not even halfway though it. After the interlude, the energy grows more dynamic, rich and immersive with details. In addition, the blazing lead returns! Everything flowing together sounds enormously catchy, and the intense edge adds excitement! The final minutes have a cinematic feel while never sounding presumptuous or too soundtrack-y either. I love the last several minutes of this song, and I love that I was so impressed with this song before then, that the artist took things even further when I was already enamored. I feel like this music was made for my ears, our ears. It's very special. This track is, perfect to me. I enjoy listening to it so much. Well done! A 4. Transmitter has a less evocative introduction as Impossible Mirage did. The introduction is interesting and atmospheric, and develops nicely. Hints of beauty arrive early, and then exit for a strong bass line that invites beautiful ambient and sparkling melodies at around 3:00. The song continues to grow in beauty, even as grittier synth work and textures arrive until the harmonious sounds like stars shimmering are pushed out. There is a really nice interlude at 4:44, and the melodic rhythm returns, both evolved and just as gripping at 6:00. The echoes of the melodies fade out as the atmosphere becomes more present. The song is like a fantasy romance between stars co-existing in a massive dimension of cosmic darkness and allure. The artist did a great job showcasing emotion, harmony and intrigue while not letting go of his fantasy/dark element but raising the bar on fantasy. I love the melodies in this song, though they could have been developed in their arrangement a bit more, possibly towards the last third which isn't as taking it further (spectacular) as some of the other tracks. Nonetheless, there is improvement in the last few minutes. I'm impressed with how the artist approached and combined elements of light with dark. Transmitter adds another well developed, mature and characteristic jewel on the album. It's excellent. A- 5. Cryostasis creates its tone within seconds. This song is radically different from the others, due to altered tempo and approach with the drum beat. A quarter from the second minute sees melodies and the inclusion of atmosphere that feels story driven and fairly cinematic. I like when the beat and music grows catchier at 2:36. The industrial/metal effects compliment them, and at around 3:30 there's an unique interlude as if the synth is being diced with tasty arrangement. The (from 3:30 to 4:46) isn't that great however. I enjoyed the song more before it. Fortunately, when the beat returns at 4:47, the music varies up; it's solid as new ideas are executed. But then at 5:49 to 6:15, again I begin to waiver as a synth appears to be going through the motions. The next sentence of ideas is gripping! Key changes shift the music back into having a more provocative, storytelling feel. The beat switches up at around the seventh minute and the song continues to lead strong as it grows more psychedelic into the eighth minute. Unfortunately there doesn't seem to be a whole lot that really compliments the track by this point, and 8:26, the added sounds fail to capture my attention. I feel that the song used up its best ideas earlier on (seventh minute). Overall I think this is a very good track. It's just nothing terrific as a whole and could have benefited from some tightening and tweaking, maybe trimming off a minute or two and touching up some moments throughout. B+ 6. Molecular Probe begins with chilling, haunting atmosphere. The ambient adds to the feel, as if we're in a cemetary filled with fog, ghosts and the dead, or entering a planet filled with intoxicating, dark spiritual and mystical energy. This track, for me eat least, is the last enormously satisfying number on the album. That;s not to say that the final number isn't powerful, great either It's just less infectious to me; I love the animated, Goa-influenced elements on this song. I love the sound of alarm or concern at 2:31, the muddled voices as if someone is trying to communciate from another dimension. Tasty synths move across the senses as the song continuously develops. Impressive is how they fluidly merge into the energetic pool of sounds via 3:25, producing an emotive and arresting sound. Suddenly, an magnetic lead enters and enhances the song further. Also worth noting is the dark atmosphere, the melody heavy and psychedelic approaches on both this song and album. The previous track chilled a bit in the melody department, and could have been catchier at times, and towards the end. Molecular Probe on the other hand is very imaginative and almost indescribable at times. There's not a moment where I'm not engaged. Another strength is at 7:06, the shuffling sounds. This ingredient is very catchy, distinct; it add to the song. Furthermore, the artist brings back the storytelling, melody driven leads and evocative feel from earlier on. All of these elements are about to have an orgy until an interlude jumps in, shortly past the eighth minute. It's risky that the artist did this, but the maneuver heightens suspense. I don't want to spoil everything but what takes place at 9:25 is what I imagined. I couldn't be happier. The culmination of everything climaxing together is infectious. From one synth lead to the next; this all happens with key changes, a terrific bass line, evocative soundscape textures and more. There's even piano in the last two minutes! The piano to me isn't as necessary but damn it, it works just fine. This is one of the best songs I've heard. Is it possible for a sequel to this album I wonder? Amazing work. Superb track! A 7. Calling Mercurio is massive, dark and dense. The mid-tempo number is loaded with think soundscapes, a powerful bass line, and sounds, atmosphere thick to the point it would block out the sun if this wasn't comprised of sound waves. But it sounds like so much more than mere sounds, as if a world has been created. I have so many visuals while hearing these songs. As the vehicle pushes onward, a female voice sample emerges, followed by a dynamic drum shift and accent. The synth work is trippy, innovative and animated, yet the heaviness of the song is so successfully crafted that it influences everything in it. I'm not sure how the artist makes his synths sound so distinct from anything I've heard. Here the work is exceptionally different, alien and gripping. The ambient notes add to the evocative feel as the structure approaches an atmospheric wall. The middle section is interesting, suspenseful. As opposed to this thing ending at 7:30 (I'm glad it didn't), it moves further like an impregnable machine; its design grows more elaborate and vivid. After another voice sample, the ambient melody and its supporting sounds shift within the vast and isolated darkness. The atmosphere pulls in at around 7:45, and releases an altered beat with a sinister combination of delectable synth work. Additionally, the artist tweaks and enhances this beast in its final two minutes. This is a wildly creative and monstrous track that concludes this epic voyage with storytelling arc and substance. There is a cold and lifeless feel to this otherwise animated, immersive track, as influenced by the artist whose approach I find less enjoyable and exciting than some of the other songs here. But I'm impressed with this track; it enhances the album and doesn't care what you think. Like it or not, this song you won't be forgetting anytime soon. A The Scythe of Orion is one of the best albums I have ever heard. I feel like this album was made for my ears and I'm sure many of you feel the same. The album's imaginative, ambitious, atmospheric(!) and dark(!), incredibly catchy and intriguing(!). Furthermore, it breaks new ground and the attention to detail is marvelous. Few albums are this immersive and visionary. I feel like a little kid at times listening to this, jumping up and down inside at how happy and satisfied I am with the songs. Few albums or artists for that matter take so many risks while getting so much right. I feel like a huge amount of time, passion and energy went into producing this album. Scythe… is dark and vast, and yet it has heart and spirit, suspense and vision! The album feels cinematic at times while never sounding soundtrack-y, as Juno Reactor's Labyrinth album was (for many) at times. The level of accomplishment here deserves to be praised, I feel and appreciated. I'm very impressed with this artist's work, and his work in general (but this is my favorite of all his 8 or so free album releases). He is incredibly talented. Well done!, and thank you for producing this superb work of craftsmanship. Favourite tracks: 1, 2, 3, 4, 6, 7 A- Download for FREE here, from the artist and Ektoplazm. http://www.ektoplazm.com/free-music/cybernetika-the-scythe-of-orion To the artist: How do you feel about the idea of a sequel to this? I'm just putting the idea out there because I enjoy this albums so much. Only if you have the interest, passion and vision for 7 more worlds. If not, forget it.

Hybrid Presents Y4K is one of, if not my favourite electronic (uptempo) compilation that is not psy/goa or downtempo oriented. It is that good IMO for those into driving (occasionally dark but not always) electronic music with progressive influence, breaks (breakbeats) and some infectious tunes. I first heard it in 2004. According to reviews on Amazon, this is not even close to their best work. Remember that Psytrance-influenced electronic song from the kickass film Man on Fire that we were all trying to pinpoint many years back? It's on here too! Stream it FREE here. It's the one that says 13 Videos in the top-right video box on Youtube here (third one down on my browser): http://www.youtube.com/results?search_query=hybrid%20presents%20y4k&sm=3 Discogs http://www.discogs.com/Hybrid-Hybrid-Present-Y4K/release/326752 Amazon http://www.amazon.com/Y4k-Hybrid/dp/B0002IQJ50/ref=tmm_acd_title_0?ie=UTF8&qid=1391897841&sr=8-1 Track list: Hybrid – "The Drop (Man on Fire Edit)" – 1:42 Forme – "Let It All Out (Tigerstyle)" – 7:01 Dylan Rhymes – "The Way (Evil 9 Mix)" – 6:17 Hi-Fi Bugs – "The Knife Drawer (Ryeland Allison Edit)" – 7:45 Easy B. – "Found The Gonzo" – 4:50 Future Sound Of London – "My Kingdom (Part 4)" – 4:10 Hybrid – "In Good We Trust (Soundtrack Edit)" – 2:10 Gus Gus – "David (Luke Chable Mix)" – 5:30 Nectarios – "Phoenix (Vigi & Nectarios Mix)" – 6:47 Lee Burridge & Andy Page – "Why Are All The Pretty Ones Insane?" – 1:59 Chemical Brothers – "Chemical Beats" – 3:23 Orbital Feat. Lisa Gerrard – "One Perfect Sunrise (Stereo 8 Mix)" – 6:39 Hybrid Feat. Kirsty Hawkshaw – "Blackout (Hybrid Y4K Edit)" – 9:46 Buy it. Download it. Stream it free.

E-Mantra - Nemesis Suntrip Records, 2014 Goatrance 1. The Entity 2. Wrath of the Nomads (Rmx) 3. Fall of Icarus 4. Gebeleizis 5. Xibalba 6. Ayahuasca 7. Mission Aborted 8. Orphic Hymn 9. Shae Nab E-Mantra is Emmanuel Carpus. His Goa debut, Arcana (2009) was praised for immersing listeners with strong atmosphere, soundscape textures, and dynamic (tweaked tempo) transitions, one of which is the coolest enhancement that I have heard in electronica music to this day. Although I found that Arcana lacked memorable melody leads, I can't deny its innovation. The exploratory element was great and Dansul lelelor proved that the artist could create memorable leads in addition to the atmosphere and everything else. Pathfinder (2011) incorporated some catchy synth leads, but lacked the absorbing soundscape textures to the degree of Arcana. Pathfinder had some great tracks, elements, and moments nonetheless. It was more melodic, and yet less immersive soundscape wise and atmospherically. Some liked it more than Arcana and vice-versa. Anyway , three years went by and Emmanuel's tracks continued to impress on Psy/Goa and Psyambient/Chill albums until the next massive Goa creature arrived. This brings us to Nemesis (2014). Every E-Mantra album to date has had a bit of a learning curve for me. Emmanuel's style is very distinct and complex, and at times overwhelmingly creative. Good news is that Nemesis is more ambitious, imaginative, and atmospheric than Pathfinder. It also has more of what many liked about Arcana, the soundscape textures (exploratory element). I'd love to hear an all ambient/chill album by this artist in the future too. But moving on to Nemesis... 1. The Entity is the best opening [goa trance] track by E-Mantra to date. It has a fantasy edge that I miss (since the old-school days of Chi-A.D.) coupled with immersive atmosphere, strong synth work, a driving beat and bass line, tasty soundscapes textures, and some great synths. This song is like moving through a galaxy of space candy. I love the female voice sample, even if I miss what she's saying half the time. Her "sound" alone enhances the track. Oh, and when I bitch about there not being enough memorable melodies in E-Mantra's first two albums, just wait until you hear the one at 6:44. It's very catchy! I really like the return of the strong bass line at 4:05, the atmosphere and melody/sound (synth) work. The echoed, female effects are nice too! My ONLY gripe is that after the beat drops out (which switches up the sound a bit), I am less gripped. From around 5:30 to 6:39 the song begins to feel repetitive. Fortunately, the melody at 6:39 leads to ear candy at 6:44 that elevates the song. Very little here could have been perfected (to me) for a nearly perfect score, as the artist did a great job overall. The Entity is excellent, one of E-Mantra's most solid tracks to date. A- 2. Wrath of the Nomads (Rmx) I find less dynamic and varied than the opening. The song moves in one general direction, but it has a strong beat and base line. The synth lead stands out among the heavy backdrop, and is accompanied by soundscapes/textures, as is E-Mantra's more typical style and approach. To be honest, I was a little disappointed here, primarily in the first half. The song starts strong with a solid synth but grows repetitive and predictable by the third and fourth minute. Fortunately, there's an interlude/ around halfway through. The beat and music return at 5:10 where the song grows noticeably catchier. The beat is accompanied with more engaging sound work. Better late than never I suppose. Simply put, the song could have trimmed a minute or two earlier on, or involved more enjoyable work in the first half which would have made it more enjoyable. This is a solid track that starts slow and rewards listeners in the second half. B 3. Fall of Icarus I find more interesting than the previous song which showcased a more typical E-Mantra sound. Earlier on I'm grabbed by the atmosphere here. The bass line that enters at 0:55 captures the driving, dark tone; it's good. Gradually details are added. There are many layers here; I just wish that the melodies hooked me more, as with E-Mantra's work there is sometimes more higher pitched synth streams rather than stand out Goa tunes. Having said that, the song innovates. It's like a fluid storm of debris shrouded in lightning and space snapping rattle snakes that sneak up and surprise. The more times I listened to this track, the more I found regarding the complexity and cohesiveness of it all. It gets catchier as it progresses naturally, and showcases some really good sound work in the second half that compliments the first. Having said that, more memorable melody work would have been nice. Good if not great song. B+ 4. Gebeleizis begins like a computer spazzing out, printing up algorithms left and right without rhythm or reason, but in a psychedelic space sense; this is no computer or printer. The curious introduction slams the senses with an impact effect, or echoed beat and synth at 0:26. This moment is brief, but powerful and gripping. It also introduces the first wave of energy/synth work to power the starship. There is an interlude midway that reminds me of stars blinking out in the night sky. It's immersive and intriguing. Then a new crescendo of sound arrives, comprised of atmosphere, soundscape textures, and a delectable combination of synth melodies. The song evolves into combining the powerful effects with actual melodies that have harmony and feeling. I simply find that the last 1-2 minutes, while very nice, could have incorporated more development to increase the songs greatness in the end. An artist that applies this concept well is Cybernetika relative to his general tracks (1, 3, 6, 7) in the atmospheric and also dark album, The Scythe of Orion. Gebeleizis is a super song that has a soft ending that makes me go between a solid A and minus. The song is possibly deserving of a higher score. It's fantastic. A- 5. Xibalba begins less chaotically than the previous track, with good atmosphere and an effective, lower-pitched bass line. The bass line adds to the darker tone and is very effective, primarily when combined with other sounds that go into effect at 1:58. The more versatile "synths" are deliciously braided. There is a drum roll that leads into a highly effective third minute, coupled with a strong lead and otherworldly textures. At around 4:00, an echoed synth enters; this is the sound that I like from War of the Hierophant's track interlude from Arcana, as well as the Metamorphic Resonance track (last third) from Pathfinder. Here it's used more as a pitch bending accent rather than a visceral synth melody lead. Nevertheless, it's catchy and compliments the track; it's just not as infectious as how it was utilized before. No worries. It works well with the core rhythm. The beat briefly disappears at 5:12, and returns with the driving feel and even tastier melody/sound work at 5:25. It's also enhanced by the accent effects that appear like space insects flying by the voyager. All of this takes place with great synth work. An ambient segment enters around 7:15, and adds to the song's mood; it could be perceived as a sense of urgency or consequence. This part of the song sounds serious, evocative. It's interesting and adds character and feel to this intergalactic album. The song isn't as eventful as some of the others, but I like it this way. Xibalba is imaginative and captures my attention from start to finish. Well done! A- 6. Ayahuasca is the next track that I warmed up to the most, along with The Entity and Gabeleizis. ​This is because of the melody approach. The synth work emotes with the overall exciting feel. Instead of one synth, the artist somehow incorporated three or four, maybe five. The work sounds so layered and complex. It grows stronger, catchier as it progresses. The part around 4:20 forward has an amazing, climactic feel. It showcases what is quite possibly the artist's best melody synth (leading) work to date. I am very impressed with this part and how it fits into the context of the whole. I love it. The last third (or rather act) includes a very nice melody lead that blossoms around 6:16. It's unpredictable and uplifting! I love how the artist realizes that complexity alone does not necessarily make a song good. Ayahuasca showcases fantastic sound/melody work by the artist, who raises the bar on how uplifting and catchy his Goa songs can be! Part of me feels that the song could have gone even further or higher into heavenly bliss (ascension) in its final moments, but I really like the last few minutes. The song closes strong and knows when to end. Ayahuasca is one of the finest tracks in electronica! It's beautiful, unique, and innovative. The song has feeling too. It's excellent. A 7. Mission Aborted begins dark, as if abandoned or alone, though the samples off-set this thought. What stands out to me the most here are the astronaut's voice. They're catchy as they echo across the music. The first third keeps the tone and driving (under-current) dark. The synths sound mechanical and grows catchier in the second act. I like how the artist supports these darker elements, and the ambient/atmospheric layer later on. These examples show how well the artist puts sounds together, however I wasn't that arrested with the overall song. The astronaut voice samples add character and I like that. However the synth work, while catchy, never stayed in my head. There's no tune that grabbed me, no climactic elements either and that's okay. The second half is quite nice I admit. I simply never felt completely immersed or addicted, and the ending isn't really exciting. Having said that, the overall song is very well structured; it builds nicely and has some interesting elements, solid synth work. It's also dark and moody (though I found Xibalba catchier in that regard). The astronaut samples compliment Mission Aborted in that they're catchy. I just wanted to feel more involved and hooked with the overall song after finding the previous three so exceptional in comparison. That said, this is a very good track that seems to separate two more ambitious and delectable ones. B+ 8. Orphic Hymn is another one of my favorites along with tracks 1, 4, (now 5) and 6. The introduction is solid, and the beat/effect at 2:15 is wonderful. I love the humming ambient, and the synth work that enters at 2:33 is so ridiculously catchy. OMG I love it. Then there's the third minute where this infectious sound combines with others that sound as delicious with it. The third minute involves one of the catchiest segments in goa trance. After this phenomenal part, the beat leaves at 3:46 for an interlude (transition). This provides the opportunity to change up a few things and refresh the song. The returning music at 4:14 is nice. The atmosphere's enhances it. The melodies become brighter at 4:35 and I think it's good add light to the darkness. The second half of this song is attractive, don't get me wrong. I simply wish it was as infectious in the uplifting, positive and harmonious sense, as I love the idea. The melody/sound work is catchy. I just find them less captivating than the edgier work beforehand, which I found stunning. The song could have benefited from having a tastier final uplifting act in that regard, as it goes from darkly superb to beautiful good, in my opinion. Take Astral Projection's Liquid Sun, Radical Distortion's Star Dance, Goasia's Sunrise - ok those were morning Goa sunrise songs throughout and this isn't I realize (but for uplifting tracks that really impressed). Orphic Hymn does darker, edgier best and should have stayed that way with more development in the last third I feel. Or the brighter evolution could have used more work to make it more spectacular, just my two cents. I was so enamored by this song's first half and wanted to give it a solid A. Maybe a remix will get away with this. Orphic Hymn is another great track that showcases some amazing work. A- 9. Shae Nab, unlike the last two tracks previous E-Mantra albums is far from slow. Is slow uptempo an oxymoron? Regardless, the tempo is good. This final track has a smooth and fluid feel, with seamless melody/sound formations that develop in some subtle ways. The synth work is very good. I especially like the skipping synth that comes and goes. Shae Nab isn't very eventful (that's not the point), but rather one continuous movement; the song flows like water. This flow of energy concept ? track reminds of a little of Khetzal's opening on Corolle; this is completely different in sound and approach of course. A really nice melody enters around 5:00, and a more gripping (to me) one at 5:50. After the third or so interlude, the rhythm returns with even greater sound, deepening the hypnotic vibe. The ambient notes in the last minute are beautiful. It would have been nice if such feelings of euphoria were more present earlier on. The ambient notes add so much feeling and harmony; by the time they arrive, the song has almost finished. Nonetheless, the artist's blending of sounds here produce an old-school, goa sound that some will love. Shae Nab is a beautiful work of art. Its gentle approach may not stand out initially, as much as some of the other songs. This is a solid closing track that could have had more personality. It flows beautifully nonetheless. A- In conclusion, Nemesis is a strong album. If you're an E-Mantra fan, I think you'll be impressed, as I can be critical and pin point or over analyze even the smallest things at times. Every E-Mantra album I've heard to date has been impressive including his chill ones via Hermit Sanctuary (2013). The artist continues to improve and "perfect" his style on Nemesis and it shows. The album is dark and visceral, often immersive and at times magical. This album impressed me when I least expected, but it also took time to grow as Arcana did. I really like the power, rhythm and synth work of The Entity in combination with its fantasy elements. I was also impressed with Gebeleizis, Xibalba, and Ayahuasca for their strong synth work, arrangement, and sound formations. Orphic Hymn has an incredibly catchy first half (until 4:39 for me); the rest is pretty good, just not as addictive. Shae Nab is a pleasant closing track with an old-school feel. With the overall album, I enjoy the atmosphere, soundscape textures, and (being a huge melody fan) improvement in the synth department, though greater emphasis on tunes that get stuck in your head would be nice. There's a lot to explore thanks to the artist's attention to detail and interest in creating depth. The lower-pitched bass lines work well too, adding to the dark feel of the album. Constructive Criticism / Feedback 1.) Some of the melodies could have more development of arrangement. For this reason, I find Filteria's albums (DoOL and LitW) easier to get into. Emmanuel tends to scaffold his melodies more with trills on notes, whereas many Goa artists compose more arrangement. 2.) Sometimes this artist has something so perfect going, only to incorporate a last third that isn't as infectious (track 4, 8). I love songs that get catchier as they progress! 3.) I would love to hear more sleek interludes like the one in Arcana's War of The Hierophants track, from 3:58 to 4:50. Such work was wickedly catchy and sleek. The ones here are solid nonetheless. End of Feedback There are things about the other albums that make them special I realize. I have warmed up to Nemesis slower than Pathfinder, but faster than Arcana. This is probably due to Nemesis having more depth and exploratory elements/details over Pathfinder. Sure Arcana had some fantastic elements (atmosphere, textures). Pathfinder had the melodies (synth leads) that stood out where the debut was lacking. Nemesis is more refined, involved and deep; the synth work and melodies are catchier too. Thanks to numerous improvements, I think many listeners will consider Nemesis to be the artist's best [goa trance] album yet, but it took time to time for me to assimilate to this album for some reason. Not since moments in Arcana have I been so impressed with an E-Mantra album in the psy/goa genre (I also recommend E-Mantra's Hermit Sanctuary album for psyambient/downbeat). Nemesis puts the listener back in a voyage through intergalacitic space travel, atmospheric elements and exploratory psychedelia. It's a lot to process. A lot takes place, and while I personally favor certain styles of Goa over E-Mantra's (normal considering we all have our preferences), Nemesis was well worth the wait. Favourite tracks: 1, 4, 5, 6, 8, 9 A- Samples / Order Suntrip http://www.suntriprecords.com/release/cat/SUNCD31/ Suntrip Bandcamp http://suntriprecords.bandcamp.com Psyshop http://www.psyshop.com/shop/CDs/sut/sut1cd031.html Beatspace http://www.beatspace.com/7916/Suntrip+Records/E-MANTRA/Nemesis/detail.aspx Goastore http://www.goastore.ch/e-mantra-nemesis.html Amazon http://www.amazon.com/Nemesis-E-Mantra/dp/B00HW1FEQA/ref=sr_1_1?ie=UTF8&qid=1391013235&sr=8-1&keywords=E-Mantra+Nemesis

Great artist but I could never get into this one when it first came out. I found that the drum and bass distracts from the immersive feel, synth work, and atmosphere of the tracks. I thought The Scythe of Orion was great (still do) and hope that he makes another album more in that direction, without the drum and bass. A down/mid-tempo album in that sense could be very immersive and interesting. I would love to hear one if/when the artist gets inspired some day? Hearing Colossus again after several years, I like it more, especially the work around the drum and bass influence. I was simply never a d&b fan. It's nothing against the album. I find that the song's introductions, synth melody/sound, atmosphere, sound effect elements, and ambient (that creates moods and emotions!) influence very engaging, powerful at times, and interesting even with the d&b present. This is a new revelation for me. Anomaly however, has such strong d&b sound over the other influence that I find it less enjoyable. Some people do like d&b though and will like/love this album, and I give the artist credit for experimenting and churning something with solid results relative to incorporating even one of my least favorite sub-genre's of electronic music. To the artist: Have you ever thought of approaching record labels? You're one of the most underrated artists on the planet. It's almost hard to believe that someone would give out so much great music for free but that's the way the world can be, where we're all contributing our gifts, our passions, talents and abilities to improve and open up the world we live in without compensational dependency on money. I'm just curious why you choose to release your music for free, but am grateful and appreciative of your decision to do so regardless. I'm curious to hear a down/mid-tempo album in his (the sound more of us are familiar with) via sci-fi, moody, atmospheric, psy/space trance-esque piano/industrial (whatever else, vast) style. Similar to the tempo of Distant Systems "Spiral Empire" album for instance, but in Cybernetic's vision and sound. I'm just putting the idea out three. I was just listening to Forged For Battle and really impressed with the feelings and moods that this artist creates. I find that song so immersive that for a while I wasn't even bothered by the d&b element.

Dark? More or less IMO. Dark for me is Botfb, Xenomorph, etc. Regardless, full of details and stuff waiting to be discovered, I agree. And did you see the light crystals on the album's cover? Nemesis is overall more interesting, imaginative, and atmospheric than Emanuel's second album that had elements of greatness. The songs generally develop and evolve more than they did on the debut too; Dansul Icelelor however was THE uptempo exception for me on Arcana. It developed wonderfully from start to finish. Although I already am forming my favourites in Nemesis, the synth work in the opening track really snuck up on me. The Entity is unquestionably the best opening track on an E-Mantra (Psy/Goa) album to date IMO. It has a real fantasy edge coupled with immersive atmosphere, soundscape/melody synth work. The second song I find less dynamic and varied with ideas but it's still good. After that the album boosts greatness again for me. Nemesis captures the essence of E-Mantra and showcases some of Emanuel's best work to date. I'm sure we'll read more from each other soon in inevitable review thread.

When I made my top 2012 albums list(s), I hadn't heard Argonautica yet by Koan. I'd go back and add it to my post, but the thread is since locked. http://www.psynews.org/forums/index.php/topic/65298-psynews-best-of-2012-poll/ This album ended up making the Top downtempo from 2012 anyway! Argonautica is beautiful, warm, positive and peaceful. Every track is wonderful. The melody/sound work is heavenly, vibrant and euphoric. Thank you for this meaningful release filled with heart and spirit. The album is VERY catchy, truly a work of art and a reflection of higher consciousness. I love it. Uploading full artist albums (to youtube) is one of the best ways to promote it. I hadn't listened to Koan before. Now he's on my radar and recommend list. I realize not everyone buys or pays to download the album after hearing it, some do. More importantly is that more people become aware of the work. I think we can all agree to that.

Just another heads up. It's one of 2013's best releases.

Ovnimoon - Trancemutation Of The Mind I love this. Okay I like it a lot. Where is the review thread? It's one of my favorite albums of 2013. I'm not a big fan of progressive (full on?) trance but this is a strong example of why I'd listen to such music. The release is vibrant, uplifting, engaging. The samples haven't bothered me. Some are quite conscious, relating to higher consciousness and enlightenment without sounding hokey. Well done. That's my take. Listent to the WHOLE album here in HQ.

It's been a really good year! Also good thread. Thank you for making me aware of some releases I didnt' know of before. Psy, Goa (Uptempo) Filteria - Lost in the Wild Juno Reactor - The Golden Sun of the Great East Dimension 5 - Trans Addendum Ovnimoon - Trancemutation of the Mind Nebula Meltdown - Stardust Chronicles GoaTree - The Force Dimension 5 - TransStellar BlackStarrFinale - Auryn Cosmic Dimension - In a Special Kind of Space Chill, Psyambient (Downtempo) Shpongle - Museum of Consciousness Benji Vaughan - Even Toundra Akshan - The Rise of Atlantis E-Mantra - The Hermit's Sanctuary Compilations V/A - The Call of Goa V/A - Blacklight Moments

This is my favourite Goa album of 2013. The songs are exciting, vibrant, imaginative, and evolving. This is a strong follow up to Daze of Our Lives (2009). I admit that I love DoOL's opening track more than the opening here which is great. Dog Days Bliss I've heard dozens of times. It's another example of Jannis's fluidity, also showcased extremely well in Life Never Sleeps, The Lights of Shibuya (the second half), and Night @ 12PM. The last track flows nicely too. This is a solid sequel to Filteria's more evolved style that began with 2009's masterpiece, Daze of Our Lives.

Biggest 2013 album surprises? There were a healthy handful for me this year and there's too much crap out there. Stick to quality over quantity such as Altar and Suntrip Records (for starters) and more below. I'm selective but these (and I'm sure a few others) DESERVE attention and to be heard and enjoyed. Thanks for the good thread idea. We should do this every year. Juno Reactor - Golden Sun of the Great East …… A NICE return to form for JR! Stream here: http://www.youtube.com/results?search_query=juno+reactor+folden+sun&sm=3 Ra - Unearthly …… An unexpectedly beautiful down and mid-tempo surprise from RA. Stream here: http://www.altar-records.com/ra.html GoaTree - The Force …… Some tracks really impressed me here. Download FREE here: http://www.ektoplazm.com/free-music/goatree-the-force Blackstarrfinale - Auryn …… Another album that deserves to be heard. Download FREE here: http://www.ektoplazm.com/free-music/blackstarrfinale-auryn E-Mantra - Hermit Sanctuary ….. E-Mantra's getting better with atmospheric/ambient-influenced PsyChill, Chillout. Stream here: http://www.altar-records.com/sanctuary.html For the record, the new Filteria, Nebula Meltdown, and Cosmic Dimension albums are all interesting and unexpected. But after 2009's Daze of Our Lives album, I was NOT surprised when the new Filteria release blew me away and evolved even further. There was only parts of ONE track that I didn't care for (on Filteria 4) and the rest was solid and/or exceptional Goatrance bliss. Happy holidays everyone!

New Filteria and Juno Reactor albums are both excellent.

I'm hearing the full album now for the first time. It's good. Cosmic Call, Time Beyond The Universe, Acid From Above … !!! Listen to Goa on ear buds or head phones, make such a different IMO.