Reznik

now that was mean. but if you look into his eyes.. you could be right

its the only thing i enjoy working on. its the only thing that makes sense working on to me. its the only thing i can do.

actually it looks more like he tries to decide for one of the thousand possible cruel ways how hes gonna kill the bastard who caught him stealing.

the arrangement of his gear is total bollocks.

by what?

reported to the pope!

one of your moderators is a homosexual

haha his t-shirt.. rock 'n roll

nice oldschoolgoacameltoetrance.

ahhhh, ze new cmt arrived.

so PR works rather well for them?

haha, never actually tried it, only read about it and believed it. but i had no projects worth to convert anyway

for those gay pictures i think the record label and photographers are to be blamed as well as the israel audience. apparently there are many people that like this kind of stuff. enough people. and again, the old IM work still rules. why not just appreciate their old work instead of bitching constantly about their new stuff? remember that the world does not revolve around you. apparently theres a big croud who likes what they produce these days / the way they present themselves. nevertheless, they lack of courage to go "their way". i havent heard the new stuff, maybe i should do.

haha this one is cool

is fl5 project format compatible to fl7? i know live6 is not compatible to live 5 for example...

Part I: Basics http://www.youtube.com/watch?v=9w5mLHv0nNY Part II: Filter, Synthesis and Emulations http://www.youtube.com/watch?v=TaYuj38I3Xg Part III: Composing http://www.youtube.com/watch?v=xEnge9e90_A very interesting. the emulations are amazing, too.

yeah colin what about normalising? and harbal?

but some do that faster or more comfortable then others check out what i wrote about Ableton Live in this thread

wow, looks like im gonna finnish this track by one day started at 7am, now its 12 and arrangement is already finnished...

study without music

maybe a good place to ask colin what he thinks about Har-Bal , is that any good?

wheres my pizza swedish boi ?

alright, im not a guy who thinks in genres anyway, to me every artist is kinda a genre...but here we go: classic industrial is the cabaret voltaire and throbbing gristle era from 1973 to 1981. 1973 cabaret voltaire was formed in sheffiled, england, 1976 throbbing gristle in london, throbbing gristle members founded the label industrial records which introduced the name industrial as a genre, 1977 they released their first album on industrial records. cabaret voltaire and throbbing gristle played a dadaists-advantgarde inspired music, which means, songs are not structured, they are more soundscapes themselves, also the disturbing shows on stage were part of the whole message. you really need the right ears to understand it. most people will be just bored by 80% of those tracks. some are structured and very catchy though. throbbing gristle broke up in 1981, psychic tv was founded in the same year by two former throbbing gristle members, the first album was released 1982. skinny puppy was formed in 1982 in vancouver, they released their first EP (Remission) in 1984 and the first album (bites) in 1985, which is the beginning of the oldschool industrial era, which is sometimes reffered to as post industrial, but this expression is imo bullshit and not so popular actually. the end of this era is 1996 released skinny puppy album the process. then there is a break in production from 1996 to 2000 or maybe even 2004 something, next major realeases are the 2004 skinny puppy album the greater wrong of the right and the 2005 nine inch nails album with teeth which featured both such a dramatic change in sound that this has to be a new era, i.e. newschool industrial. ok does that make sense? its the first time i wrote something like this.. its very short, i skipped alot, but it should give an overview, the frame of the whole thing, which is indeed those mentioned bands, and if you want to know more about the music, the only way is to listen to it anyway, no need to describe it further.