frozen dream

ok man i'll give it another try

hehe ok man we all feel different ways this tom cosm is selling 'live' instead of good music

usually, girls r pretty good at music honesly

Public Adress meaning a sound amplifying system to adress a large crowd, not just with recordplayers, amplifiers, but with micro's, keyboards, and any other instrument inputs and amplifiers possible, commonly (depending on the area to be adressed) with a huge speaker array and tonz of cable. Basically you can interpret PA as being 'big soundsystem with alotta technical shit to it' so any dj-performance on almost any soundsystem (no technical definition to Public Adress) would be 'PA DJ-set' or 'PA Live set' ,but the nuance in live playing lies in wether all the keyboards and drum machines etc etc (for a psytrance live act) are really hooked to the main mixer and are manually operated during the set, you could even have all these machines working and program them to do everything for you, so it still wouldn't be live. the gradations of live are so vast and intense that it's impossible to define if something is 100% live or not. the options have become so wide there is no more strict way of how to do something or how it is done, it's rather the artist choosing his ideas and working it out to bring it like he wants, based upon his ideas and desires, he must make choices in the range of what is possible to attain, and what is impossible to do live, (leaving lazyness out of the loop here ) the most common used technique is to make everything (the whole hour/longer) in one big wav file, and just let it play, while tweaking mixer eq for show so you're certain that you have a class A musical show with no risks of failure. another frequent (more live)technique is to also record everything, but you leave out all the lines you can play with your one synth you're bringing (or ask for) so you still have some certainty and ease during the set, also recording it in full and bringing it on a cd, and starting that cd together with your live prepared wav file to have the cd as backup for when the laptop fails, (xD) is something i've seen so the myth of 'live playing' is actually situated in a steaming electronic jungle where the player needs to make choices on how he can get through it safely. Personally, i've seen tom cosm's video and i think by manually sequencing everything you take alot out of the flow of your live set, drop-ins aren't perfect and it all sounds a bit to shabby for me, i'd prefer a perfect live playback set where everything is sure to come in key and with all the trippy impossible-to-do-live-button-bashing-crazyness fx build ups and pan swingz, swooshing and swiishing to the random outcome of button-pushing and aiming to do something because of some weirdo ideal of 'doing it live' which is rather impossible in our beloved 145 bpm mechanotrance subgenre. I mean, the music should be good right?

now u told me the story behind the sound quality i'd like to apologize for my first few posts. i'll leave the fact of mastering compressed music in the middle.

people dancing in joy to excellent psychedelic music!

try comparing it to other nowadays releases

haha i got devil final rmx, elm and montoya on original cd today and the messenger!! if i'll get a set somewhere they'll be popping up!

wow, what idiot mastered this? i can't believe i actually downloaded the wav to actually listen to this crap sound, the tracks sound good in compo and stuff but what the hell?!?! :blink:

lost buddha, pandemonium.. this actually makes sense! too bad for the label but now you guys won't be troubled by felipe again!

hey, there's an oldskool mix in my sig! click the spiritual control link! caribbean drift has some fullon in the end!

indeed, multiple versions are a very good idea, there is the 'save new version' option...

psysex in panick - hardcore blastoff man, my clothes smell of too much cigarettes

it has a sample from the godzilla movie; "you mean it's three miles of the american shore and we don't even know what the hell it is?" with a delay on 'what the hell it is' this track is 95% sure to be psysex stuff as the sounds and structures are rather similar and the end of the track has super psycho riff in it!!! there is a break before this climax in which all the sounds almost fade out to a complete silence, and then that psycho noise/saw sound plays... hope u can help me!

infected mushroom - classical mushroom

xerox and passenger - science is god (ultravoice rmx) this ultravoice, he's a big shit! next: audio-x and dj noronha - find a way (rmx) and: eat static - bony incus (man with no name rmx)

has anyone posted yet how great they are?

i try die you

even if they poo, it would be good-sounding!

Moon in your window! :clapping:

:lol:

du kanna all slicka min balerna och den sur bäck av min moder

euh.. what? i like fullon: protoculture, vibe tribe, electro sun, system nipel, visual contact, scoofy, electric universe, space tribe, cosma, ...

a whole lot of 96-97 stuff, like always ;