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Veracohr

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Everything posted by Veracohr

  1. I don't know, I actually usually turn to metal when I'm in that kind of mood. Plus I don't have a lot of that type of psy, I usually turn to psy when I'm in the mood for trance, not mayhem. I think I might have more chaotic type of psy on vinyl, which reminds me I need to find the time to convert it.
  2. I suspect most or all of those would be too melodic for the OP. I'm not familiar with the last two though.
  3. Exactly - I'm not nearly as high as I used to be!
  4. It means Imba is NHJO! At last, an answer!
  5. Your thread titles need to have the date and location of the event.
  6. In the absence of a formant filter (I don't have one myself), go with a negative flanger. A positive flanger won't produce the same effect.
  7. I didn't watch the video, but I'm quite sure. The character of the filtering can change a lot depending on an effect's settings and the frequency content of the signal. Here's a similar throaty sound I made with a filtered, distorted supersaw and a negative flanger set at about 2.5ms & 90% feedback. Adjustment of the LFO sweep helps to get the right sound: http://www.veracohr.com/audio/throatyflange.wav Yeah, formant filters accomplish much the same thing but in a different way. Comb filtering from a flangers & phase shifters is a result of very short delays. Formant filters use parallel bandpass filters to shape the frequency response in a way similar to human throats and mouths. Both accomplish the same general thing: accentuating certain frequencies and diminishing others.
  8. I don't manage. It's a godawful mess of cables behind and under my computer desk and around to the side where my keyboard is. There are various cable organizing products out there, like velcro straps or sleeves to bunch cables together.
  9. Oh I see what you mean. I suppose it could, but I'd say it's more likely just the note pattern. I don't know why anyone would use a pattern gate effect for something so simple. Anyway, the 'throaty' quality he asked about is the comb filtering.
  10. That's comb filtering, an effect produced by phase shifters, flangers and comb filter effects.
  11. ^ I'll take that to mean you're doing kung fu, not just watching The Matrix. So: awesome!
  12. Yeah....I don't have the money for more.
  13. Wow, I've heard a whopping 5 albums from 2012. Uptempo: 1. V/A - Flight 604 (Zion 604) 2. V/A - Shaltu (Suntrip Records) 3. Crossing Mind - The Inner Shift (Suntrip Records) 4. Mindsphere - Patience for Heaven (Suntrip Records) 5. Innershift - Innershift (Suntrip Records)
  14. Check this out, it's a brainwave-sensing headset that you can map to MIDI if you want, so you could control synths with it! Parameters, anyway, I'm not sure about notes. Emotiv EPOC
  15. The wording of copyright notices on music tend to be standard and based on the laws of the country the work was published in. Actual desires of the publisher or copyright holder can easily differ from what the wording sounds like. The "Unauthorized public performance or broadcast" part of copyright law is intended for artists who are members of "performing rights organizations", which are organizations that collect money on behalf of their artists from radio stations or other people who play the music publicly. If a DJ mix were streamed, not available for download, that would fall under the "public performance" heading. I'm not sure if a downloadable mix would be considered a "copy" or not. If an artist is a member of such an organization, they expect to get paid for every public performance or broadcast of their music. I suppose, technically, an unauthorized broadcast would still be illegal even if the artist were not a member of a PRO, but I think most producers of this kind of music expect their music to end up in DJ mixes. Whether a label or artist would mind you downloading a pirate MP3 because you can't afford a CD will differ from person to person probably. I'd venture to guess that yes, most will mind. Are your questions on the legality or the morality of it?
  16. I'm not particularly knowledgeable about either drum & bass or dubstep, but it seems to take a lot of influence from dubstep to me, and not really in a good way. It seems like it takes some of the good parts out of DnB and puts in some of the bad parts of dubstep. The song Padmapani posted I like a lot in its original form (on Dieselboy's "Sixth Session" mix), but that version seemed just a cut & paste job that took a lot of the good out and put nothing new or interesting in.
  17. I don't get it. I didn't see any arguments involving Cosmogenesis.
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