InFecTeD_gOa

Hahahaha !! THX Joseph but there are a lot of work & all my tracks are Unfinished maybe for 2047 (SUNCD8952) Otherwise, I made last night a new downtempo track Somewhere On The Gange (sample)

THX FOR YOUR REPLIES!!! I started my track Fluorescence there are 4 days ago. I just wanted to know if you like this style to be able to continue and improve it more seriously. The track full is available here I await your comments.

thank you to you merci pour vos compliments c'est encourageant

ohhhh!! really :posford: big thx

thank you Joseph As you have noticed, I dropped my collection of CD. I found another hobby

I started to produce goa trance music for the first time. I'm a true beginner . My music needs a lot lot lot of work. I started one month ago. http://www.myspace.com/somnesia

FILTERIA Daze Of Our Lives PREAMBULE While the melodic goa trance called organic made his crossing of the desert since 2000, with however, some good releases that managed to stand out from psytrance, prog and full on; an artist began in 2004 ... ... a certain Filteria. Sky Input (2004), was for me, a revolution and a pleasant surprise. His sound were euphoric and explosive, with its musical variations (ultra mélodic) that we had taken a new psychedelic dimensionand acoustic sound complex & developed. In 2006, he resumes his achievements with Heliopolis, always, in the same tone. The magic happens when they change radically melodies. We had this feeling not hear the same song, to be, somehow, lost in meandering musical. It is with great satisfaction that I present his third album: Daze Of Our Lives. THE ARTWORK First, the artwork (front cover) is quite surprising. While we expecting a psychedelic abstract design, we confronts us a photo banal, sober without artifice. Is it voluntary? Maybe he wanted to avoid the CD covers too conventional, too stereotypical? Why should we necessarily represent kaleidoscopes, fractals and colorful fluorescent Buddhas or oms to define the psychedelic trance music? So, he surprised us all, from the use of the verb "to daze" in his album title. He probably wanted to warn us in order not to rely on appearances. Indeed, it is very unpleasant to be judged by his physical appearance, dress, art and other, rather than by his skills and his qualities. The lesson is that we should be ignored at this appearance, and to be more concerned about the heart, and values of people. This album waiting to be heard!! Is not the purpose of a CD of music: to be heard? If you like art, go to a museum. Here? we talk about sound. It is true that today, appearance sells and under the pretext that artwork is bad (I prefer to say: "is not to our taste"), music would be as bad. Daze Of Our Lives is there, just the opposite. Don't stop with the primary function of an image which serves to illustrate, but try to look beyond the image to see what you can not see. BEYOND THE IMAGE Many questions have been added in our brain. Where are we? We seems completely disoriented. It would tend to respond: on earth in a volcanic area, where else, or nowhere. Where is it simply a simulation size external conditions of the planet Mars. It's a bit, the question we ask us in relation to her album .... Where he wants to take us? This pouch, plunges us into a lunar landscape, desert, full of craters and mountains decorated with rock. The crust is cracked, broken and therefore impractical. The gross relief is probably like his music, namely, complex, but softened by melodies, like the sky, a very blue cosmetics. This relief may suggest that it is the result of his music: a huge earthquake. The only thing which we are certain is the number 3 inscribed on the space suit or the volcanic bibendum, a nod to his third album. TRACKLIST [1] Filtertraces ::10'18'':: >> PLAY We start the abum with Filtertraces which starts very slowly with a tribal rhythm very light that we distinguish barely. The intro takes place in a tropical where the leaves show still some traces of water drops making a sensitivity to music. The sounds of birds flying over our heads. We seem tiny and insignificant, alongside these macif trees that seem to touch the clouds with such elegance and ease. Other pads are used to give more credibility to this mystic atmosphere. we push us in the green, where we are touched, at every moment, by inovensive and mysterious flora. The thick fog is all around us making our progress slow and difficult. The hat ring in our ears, more and more. The second parade and the forest begins to emerge and to reveal to us, at the same time that the mist falls. This bliss is suddenly interrupted around 1'37'' by a powerful kick and eater. Each beat is a tree felled from crashing under our feet. Accompanied by the rhythm, a melodious and corrugator shadow begins to take shape with notes that swing suggesting that the plant and animal world dying and mourning their sad fate. Around 5'10'', melancholic melody give some compassion for this tragedy. Around 5'38'', music takes on a new melodic dimension with the use of alternative sometimes high and sometimes low giving more volume and magnitude Filtertraces. Around 7'45'', after a soft break with air pad, the song seems to have found the way to the end with a melody very effective and repetitive, we are referring to a universal consciousness. The strength of this track is the use of the same melodic theme grafting it at each end a variant. The marriage is perfect and ultra synchronized with melodies very minimal and with great restraint. 9/10 [2] The Big Blue ::08'21'':: >> PLAY In the first part, the opening we transports us, in the glories of space with very light pad. Our body seems to float above our blue planet cradled in its solar system. Around 1'47'', the track takes a turn, more hypnotic and space, by the presence of notes which hopping and which breaking up it, like teeth on the score of music. They are not explosive but are very expressive with a range of a vast and rich notes. The track we immerses us in the depths of the cosmos, we refer to images of nebulae under a mantle of bright stars. Everything seems to come alive, we are projecting from the infinitely small to the infinitely large at the speed of light. Galaxies, black holes, asteroids and planets reveal all their secrets. Following the track is really amazing. It combines as in a mix of influences from artists yesteryear. We find, thus, from Astral Projection around 3'32'' as at their beginning, the way Trust In Trance I & II, from Chakra & Edi Mis around 4'39'' with a similarity to X-File (>> play= X-File) and finally from Etnica around 6'52'' with very distinct traits from Vimana (>> play= Vimana). Obviously the end, around 6'52'' is explosive and a great with a vertiginous drop and curves notes, we sticking to our retinas and in our cortex the immensity of life where truth is revealed at the end and everything becomes clear and logical like in a thriller. A track full of bounce. 8/10 [3] Wormhole ::08'47'':: >> PLAY We continues with Wormhole which is perhaps the track most original and most bizarre of the album. It has melodies around 2'02'', around 2'54'' and around 4'45'' which should escape our ears, and yet, I find it very interesting. These voice tones are grave and serious are dislocated and deformed. The music is like tortuous and narrow gallery of worm. The various melodies rise very quickly in the lathes taking very psychedelic passages. The amplifications and oscillations are similar to the shapes of rails from roller coaster, or, the extraordinary contortions of this worm. The melody itself refers to this movement of "crawling". The sounds away, after their passage, trails that zigzag. The spirit of Pleiadians is strewn throughout the piece, especially around 4'01'' where a downpour of notes coming and succeed. Around 6'04'' Jannis mimics the effects of voice goblins used in the track Gamma Goblins d'Hallucinogen (>> play= Gamma Goblins part 2). This track is a very good experience that makes us slide down the giant turns at high speed, taking corners on two wheels like in Indiana Jones and the Temple of Doom. Get your bags! A very bold piece from Jannis. 7/10 [4] Eyeless Observatory ::08'23'':: >> PLAY Eyeless Observatory is without doubt one of the best tracks. The bassline starts very early with a purring and vibrant bass followed by a well crushing and powerful kick. The foundations of the track are robust and therefore very persuasive. All framing is concrete and arm big steel cable and seems to spray everything in its wake, merciless. The structure of this track makes me think of a whole of complex and sophisticated mechanical rotation, composed tracks serrated, jacks fully automated, articulated arm and crumpled sheet, moving without backward. The influence of this piece comes directly a well known Swedish artist. I want to talk of Linda Miranda Silvergren of course. Jannis seems to have drawn his resources in the album Asynja from 2001, and more specifically from Keep Calm (>> play= Keep Calm) which is also undoubtedly a pure atomic bomb. A 4'18'' Jannis triggers a break very kitsch and contrasting where we hear a semblance of melody that diffuses into elevators in order to wait users. The effect is quite recreational but short-lived because the infernal bulldozer, like a monstrous locomotive unbridled, reappears, decisively. Psychedelic pictures and other fractals parade at full speed, before our eyes. An acid sound rain down on us, giving us a taste of radioactivity in our throat and tearing our auditory system with barbed wire fences, pointed and shap, like a barbaric and perverse machine of torture from the movie "Saw" that lacerate our soft and vulnerable bodies. The power rise notes acute and sharp like needles, plunge us into a series of uncontrolled spasms that break members of their joints, identifying us, thus, a puppet, pulled at the ends with thread. This song very captivating and destructive, spits all its power releasing shock waves, causing around us a massive earthquake, destroying everything in its path and lifting huge slabs of land rising up to heaven. Finally, ecstasy fades, little by little, making his final acid and strident breath, ending the music as it has begun. It is a very convincing and dynamic masterpiece that pulses of energy in our veins. 10/10 [5] In the Heaven's Eye ::13'49'':: >> PLAY The fifth way, invites us to a journey into the unknown. The pads which constitute the introduction, puts us in a field of multicolored flowers where we see small flakes of snow with white feathers forming a light curtain silk. In the manner of a downtempo, In the Heaven's Eye we issue a very poetic beginning. We seems to wander in a cloud as delicate as cotton. The places seem uninhabited but denote a very heavenly which stand up us, front our Creator. Is there life after death? Around 2'43'' this sound become more intense and more & more large as if a light from the afterlife became brighter, closer to us as to wrap us, and emitting, in parallel, a source of heat very pleasant. While sinking in this luminous clarity, a kick manifested around 3'42'' making a transition: a passage to another assi we crossed a border by a tunnel. The Bassline becomes more embedded and generous. Melodies flow from underground, growing giving more character & movements to this track. White light suddenly disappears for offer us a vision of beauty: a panorama at 360 degree. The ripples musical cause us emotional chills which reaches all parts of our anatomy, passing through the spinal cord. The eyes are widening like an camera, revealing the bottom of the pupil amazed. We stand us on the top of a mountain, dominating this world of life, hope and love. The iris scan this spectacular landscape that offer to us, to collect and capture a maximum of memory. Pictures and scenes that refer me this music are comparable to the feelings that had Christopher McCandless ( by Sean Penn) when he discovered regions that he saw for the first time, enjoying every moment of his life. Life belongs to us, we are the masters of our own destiny. The track develops in these false air of downtempo, a real power that increasing in a manner considerable as if he wanted to reach the heavens with acoustic stairs knowing that each level becomes more remarkable. The spectrum of Pleiadians show it with impression of Maia that we retrouve around 5'55'' until the end. Many passages are underlined with marker, including around 7'14'' and around 9'13'' where we seems lead to summun listening to flee melodies assimilated shooting stars that sowing rain glittering dust behind it. As for the final around 11'39'' we attend a florescence color & of varied forms that arise like a fire Bengal, consisting of many stars, rosettes and phosphorescent spheres. One word: OUTSTANDING!!! 10/10 [6] Infinite Regression ::08'47'':: >> PLAY Infinite Regression is another strong masterpiece of Daze Of Our Lifes. Around 1'30'', we enter the lair of Pleiadians with this explosion and avalanche of notes of music aligned with the score, one behind the other. Notes that parade and fall like in a dominoes game that we follow in the footsteps, without losing a crumb. The bassline vibrates in our space-time scattering particles musical, creating, so, a field of protection around us, triggering a stereo effect. The sounds attack from all sides like wild attack arachnids in the mythical scene of fort in the movie "Starship troopers". The appearances of Pleiadians are pulled especially from their first album I.F.O. (Identified Flying Object) released in 1997. The track Alcyone (>> play= Alcyone) is, by the way, widely represented but with a new facelift in the style of Filteria. The melodies aspire us in this swirling spiral, hypnotic and endless. Around 3'01'' the music reveals a very eastern melody, prepare us for a trip where the sun never sets. Around 6'34'' the track exposes all its greatness in melodies and atmosphere very Pharaonic that we find from the 9th album of RA (>> play= 9th). An effect very Israeli made by using of notes superimposed and slightly oscillated, forming this distinctive feature of wave and this heat that caresses our skin. The effect is sensational, we come to feel the warm sand and granular under our bare feet. The Egyptian landscape stands before us, before our astonished eyes. It is a fresco of the Pharaohs history, of mummies, pyramids, sphinx and hieroglyphics taking place in our minds in an aerial and acrobatic view. A piece that reveals all its beauty and his grace in this Egyptological expedition and which makes us take off with its final loose. A must! 10/10 [7] Earthrise ::08'39'':: >> PLAY Like in most of his pieces, Jannis begins with an intro very seraphic and ethereal before the melodic storm. Quickly around 1'03'', Earthrise reminds us the atmosphere strangely from Twisted of Hallucinogen and more accurately from Solistice (>> play= Solstice) with sounds quite deformed and acidified, thus that its melodic structure that we also find around 2'23''. The silhouette of Pleiadians around 3'16'' show clearly his affection to this sound very mellow and highly amplified, make us reach excessive heights. A sound still borrowed directly from the excellent I.F.O. (Identified Flying Object) album. This coktail between these two inspirations adjust beautifully and give a new galactic dimension more panoramic and deep. Similarly to Eyeless Observatory, this track leads us, this perception of seism, in particular around 4'23'' and around 5'43'', by arousing in the depths of our souls, this emotion so exciting, positioning ourselves on a pedestal for put us close to the stars. A passage that refers to the track Maia of Pleiadians (>> play= Maia). Around 6'50'' a new melody over 'clubbing' and more linear but very effective involved to complete the seventh song. Earthrise is a music that begins a crescendo. More we progress over time, more the melodies become more eloquent. It has this ability to interpellate us thanks to some wonderful moments that evoke all our attention and make us become the center of the world. 8,5/10 [8] Float Away & Disappear ::08'00'':: >> PLAY Float Away & Disappear comes punctuates with an endpoint this magnificent album. A final track that we tasted in the manner of a light and creamy ice that savor us to finish an excellent meal. This downtempo comes timidly in a fluid intro, with a rhythm detune (offset). We have really, the sensation of having feet in the water near a small waterfall, in the heart of a pristine and wild environment where vegetation is abundant and animal species respected. Around 1'23'' the voice of Cissi Moon comes coloring with a transparent nuance this world light and aerial. Her voice has changed giving resonant and oscillating effect, used in most of the Arab Maghreb music. Melodically, the music finds its way to tranquility and harmony by releasing a fine mist cloud, we are taking a place in paradise. Around 3'20'' the tone is more serious with the appearance of the bass, then the kick around 3'53'' moderate in order not to disturb the slow and serene side of this track. Around 5'00'' an another effect from 9th album of RA comes added, offering, so, a privileged and vastness moment. This track successful procure us a deep relaxation, pushing us in a big imaginary, soft and comfortable armchair, installed in a Zen garden with its fountain, its river and its galletas. Jannis procure us a nice break spiritual in our subconscious allowing our minds to move into the beyond freely through this wonderful composition. 8/10 CONCLUSION Jannis Tzikas is a master, signing his best album. He handle sounds like a juggler. Even after two albums, he manages to still make us dream. The musical combinations are successful and still impressive. We thought that he would falter but he is still here. For translate the emotional feelings from Daze Of Our Lives with words, I would say that they have the delicacy to metamorphose, a little like the transition from caterpillar to butterfly. The music of Jannis has really matured into something far less euphoric, with a result, very surprising, enjoyment and wonderful. Filteria is for me the Jean Michel Jarre of the trance goa music. Each track is magic and has its own personality. Excellent album very spectacular that I recommend you strongly. RATING = 9/10

JUST ONE WORD: E.X.C.E.L.L.E.N.T GOOD JOB JANNIS coming soon my review

:posford: so excellent!!!!!!!!!!!!

I'm really tired! I need a holiday sorry

First & very good trade with Stijn from Belgium. Thanks :posford: & see you soon

Hi!! no problem my friend

HOuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu Today by Toirés aka Florian (thanx a lot frenchy for these marvellous :posford: ) Maa Salama Various - Goa Exit (Subliminal Records (France)) info discogs Various - Psychédélique Transition - Andromède (Trans'Pact Productions) info discogs Toirés - Majmar info discogs Toirés - Back To My Family info discogs PS: His new album Yasmina coming soon

updated

Soooon Psychédélique Transition - Andromède (Trans'Pact Productions) http://www.discogs.com/Various-Psych%C3%A9.../release/183941 Goa Exit (Subliminal Records) http://www.discogs.com/Various-Goa-Exit/release/332009 Thank you Florian Sériot aka Toires >> His new album: YASMINA is expected mid-April

1993 1993

I don't know how to classify this music. It's not remixes but the tracks look strangely original Click on the tracks to compare: Doof Sunshrine (from Let's Turn On) and Blue Sun Shrine (from transient dawn). SynSUN Zero Tolerance (from Zelur Project) and Astral Projection Kabalah. Zirrex Infinite Space (from The Sitting Goddess) and Astral Projection Ambient Galaxy (Disco Valley Mix). California Sunshine Oblivion and California Sunshine Other Line. Do you know any other tracks that are very similar?

Great News !!!!! :posford: :posford:

lumpi you are someone exceptional!!! You find almost everything THX mate :posford:

yeeaaaah fosku thx

It's old track (~'97). There is a female voice that says in french: "ne te retourne pas" maybe Virtuart but I'm not sure http://segsgrh.free.fr/fauaud/TranceGoa2.mp3 thanx a lot mate

I agree with you It is disappointing

Generally, remixes have for objective to refresh the old track or improve the original. I would like to have your advice on successful or failed remixes, taking into account the respect for the choices of each. The remixes that I find better than the original: MFG "Magnetic Activity" (Remix) MFG "Overload" (Remix) Kode IV "Near To The Divine" (Official Doof Mix) Juno Reactor "Masters Of The Universe" (Eternal Basement Remix) Juno Reactor "Pistolero" (Man With No Name Remix) Juno Reactor "Pistolero" (Fluke "Hang 'Em High" Remix) Disco Volante "Forbidden" (After 8 Mix) Technossomy "Elektron Bender" (Samsara Live Mix) The Overlords "Sundown" (Ionizer Remix) The Overlords "God's Eye On Goa" (Bionizer Remix) Filteria "Ultimator" (Ultimated Rmx) The Infinity Project "Hyperactive" (Acid Rockers Remix) Art Of Trance "Octopus" (Man With No Name Rmx) Disco Volante "Moonraker" (Man With No Name Remix) Tufáan "Probe" (Green Nuns Of The Revolution Rmx) Disco Volante "Forbidden" (Sweet & Sour Mix) Disco Volante "Forbidden" (After 8 Mix) Marmion "Schöneberg" (Man With No Name Remix) Son Kite "Knob Adjustment" (from Goa-Head Volume 9) = I suppose that the other from Pulse 8 ...The Next Millennium is a remix? The remixes that I find worse than the original: Man Of The Last 3rd "Spirit" (Prana And Hans Solo Remix) Transwave "Trashish" (Remix from Frontfire album) Transwave "Land Of Freedom" (Remix from Frontfire album) Astral Projection "Mahadeva" '99 Electric Universe "Meteor" (Original Remake 2007) Electric Universe "Meteor" 2004 Etnica "The Gili's Voyage" (Ketu Remix) X Dream "C.O.T.L.G." (Triplet Mix) Juno Reactor "Feel The Universe" (Koxbox & Ian Ion Remix) MFG "Magnetic Activity" (Total Eclipse) Miranda "Gnocchi" 2004 The remixes that I found as well as the original: Shakta "Lepton Head" (Deedrah Remix) Hallucinogen "LSD" (Doof Remix) Juan & Domi & Jörg "Spiritual" Healing (Remix) S.U.N. Project "At The Edge Of Time" (Remix) Hallucinogen "LSD" (Oliver Lieb Remix) Blue Planet Corporation "Antidote" (Pleiadians "Under The Roof" Remix) Miranda "Mars Needs Women" (Sevastano Mix) Miranda "Mars Needs Women" (Antiloop Album Version) In another category, there are tracks that are similar strangely: Doof "Sunshrine" and "Blue Sun Shrine" (I prefer the version from transient dawn)

Azlon is a newcommer. My first trade was really good :posford: Thanks very much Tom Looking forward for the next trade

I found 1 track :posford: Alien Factory - Get The Future Started (not trance goa but trance from rave mission)