http://www.discogs.com/Pandemonium-For-Funs-Sake/release/4549341
http://www.phototropicrecords.com/
01 - Squid (In the Nautilus Mix) (7:17) 02 - Wishing Machine (7:26) 03 - Bazaar of Dreams (7:32) 04 - Hold Us, Mother Gaia (6:40) 05 - Cotton Candy (Dreaming Mix) (7:32) 06 - Hypno-Baby (6:25) 07 - Power of Celtic (Pans Labyrinth Remix) (6:55) 08 - A New Hope (Pans Ice Cream Remix) (6:55) 09 - It's a Magical Garden (6:28) 10 - Zathura (Throw the Dice!) (7:31)
Arguably the most talented current goa producer Filipe Santos returns under one of his many aliases: Pandemonium. His first album stirred up some debate here on Psynews (http://www.psynews.org/forums/index.php/topic/53445-pandemonium-muinomednap/) and he seems like quite a combative character in general, upsetting a few people here recently.
He promised a release of a lot of his old tracks as far back as 2008 and said it would be different to his first album, and here it is!
Anyway, let's forget the man and move onto the long-awaited music which is all that matters:
Squid (In The Nautilus Mix)
It certainly is a very fast and fun opening track. Uses the signature Pandemonium flute sounds (as the god Pan would have used) and exciting basslines. Really frenetic energy like most of Filipe's stuff. When you think the track is going to slow down but a snare kicks in again at 2:56, it makes me smile - this is what I love about this guy's music. Some lovely subtle 808 rim shot samples too.
Wishing Machine
For those of you complaining that the last Pan album sounded too similar, we already have a lot of variation here. This sounds more like Lost Buddha's Tabernacle track (which is outstanding). It's got a whiny Eastern melody which really reminds me of a particular oldschool track but I can't think which one. Everything builds up to a spiritual climax, with the Eastern melody asserting itself at the finish.
Bazaar of Dreams
That's right. A tiny intro then straight into the action. This is pure nitzho influenced joy, with the bassline going up and down, supporting the hyperactive high frequency melodies. All the work around 4.47 and beyond is just beautiful.
Hold Us, Mother Gaia
This one is too cheesy for my tastes and reminds me too much of Filipe's track 'Little Indian Girl' as Rama. The Rama track is better.
Cotton Candy (Dreaming Mix)
Great use of the 808 and chime-like sounds with subtle pads to create a mysterious atmosphere. So many elements are being juggled here that you'd have to be well... crazy to deal with it all. Nice stereo dynamics. In fact there may be so much stuff going on here, that it's difficult to keep up...
Hypno-Baby
A sample of a baby crying for a couple of seconds is all the intro we need and we're straight into the action. Some very nice use of delay in this track, and I feel like we're back in the realm of excellent tracks. The sounds here are much more metallic and I love the tight snare. Guaranteed to get you moving.
Shidapu - Power of Celtic RMX
A plaintive melody and overdriven guitar provides the body of this song, taking the original, which was one of the first tracks to try to integrate guitars and goa (I think) and updating it to the Nitzhonot genre. Could be emotional or quite annoying depending on where you sit. I like it.
Agneton - A New Hope RMX
We know this track from Pyramidal Trancedance and it's as great now as it was then. That melody around 4.49 ... yesss! It's the way that the bassline sounds terse, but when that melody comes, it fits so perfectly into the bassline that all tension is relieved in a danceable frenzy.
It's a Magical Garden
Again, starting guitar sample really reminds me of something, can't place my finger on what. Maybe all these similar goa melodies are screwing up my mind. No, wait! Skip to 2.55 in Amithaba Buddha's Myself in the Mirror track and you'll see what I mean. This whole track sounds like a friendlier version of that one. It's okay, not a stand out here.
Zathura (Throw the Dice!)
Again we get the Tabernacle acid hook and some lovely bassline notes with some great percussion. At a slower tempo this really gets me tapping my foot, giving those growing acid melodies time to slowly evolve and work their magic. Yes, the bassline is just sadistic. And Zathura was a terrifying film!
So I have to agree with some that a lot of Filipe's output sounds very similar. But I don't care! It's great stuff and I want more. Very well structured and energetic. This is a pure shot of happiness to the brain.
Favourite tracks: 1, 3, 6, 10
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