I agree with some of your points. I don't like psytrance that is not going beyond the perfect/in harmony kick and bassline. Technics like these make your track sounds "pro" and will sound great on the dancefloor. Then it's up to you, when you do this, not to stop it there
I usually sample many bass notes and then do melodic arrangements. And when the kick is on the same note as the root bass it is so much easier to mix and it feels more musical, to me at least.
But I get what you're saying
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