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Trance Meditative is a goa high energy record that brings the classic 4/4 beat along with the hypno-special sound of synthesizers and tribal ethnic vibes from around the world , all arranged in a hypnotic progressive and intricate way to build up and create good energy and good karma. May this Music bring you lots of positive energy , happiness and joy to your life. https://submoonrecords.bandcamp.com/album/trance-meditative-goa-high-energy

Album: Tech Tactics Artist: Various Artists Genre: Psycore Size: 215MB License: CC Price: Free and Donations Track List: 01 - Killawatt - The Joint 02 - Pastor John - HD204958B 03 - Dr. Bops - Machine Music 04 - HighStyle - Alien Alphabet 05 - Telepathy - Trouble 06 - Anubis - Inner Revelation 07 - Paralocks - Tactical Error 08 - Fright Rate - More Power 09 - Neonglo - Mirrored Benches 10 - Organoise - String Theory 11 - Gamba - Mindmatter For various artists albums, I feel it is nessesarry to offer my thoughts on each individual track to give everyone specific attention and feedback. Let’s start with the first creation, “The Joint” and move on throughout the album “Tech Tactics” The Joint Juicy and engulfing, like a typical danceable high-tech song should be. This is a song that can easily be applied on dance floors. The beat in the background changes off and on, keeping the flow going. Robot gargling synth textures chew up and spit out the bass occasionally and glitch things up, offering some interesting qualities that make this track unique. Well mastered, clean, well done. Great theme with the vocals about drugs. HD204958B This has a great buildup and intro, continuing a danceable, high energy mood left from the last track. Again, well chosen voice sampling is used for a great atmosphere. My head and heart cant stop bobbing to this fast paced action scene. There is a lot more percussion elements used here, adding a few extra enjoyable layers of sound. I can definitely hear the well mastered attitude here as well. Props to the clear quality! That is needed for DJs. Machine Music I now realize everyone is using kickass vocals here. I love that, it really adds that super special “this music is awesome” factor. Like the first two tracks, Machine Music is intense and fast paced. It does, however, have the best buildup I have heard in this album, so far. It lets you take a breath right before it says “the correct answer is” and moves right back into heavy technical dance psy. Staying true to the original theme of the album, it pushes things a bit farther and puts a smile on my face. Alien Alphabet “Everyone knows thats what aliens sound like” hahah! Like the other tracks, Alien Alphabet is fast, clean, action packed, vocal injected, and energetic dance music. Any psycore loving club would enjoy this piece, certainly shredding the darkness with glowsticks and approving shrieks. Personally, I find the track to be extremely similar to the others, so there is not much else I can say. However, this is a good thing because if you love the others, you will love this. It seems these artists have come together to create this quick and fast style. Trouble The synth riffs are very well done in this track! The melody is perfect, includes some classic 8-bit instruments, and everything climaxes around the 7 minute marker to plant an exciting body throbbing seed of euphoria in my brain. This is what I expect technical, high energy music to do. Nothing is overdone in this track, its the best one I have heard so far. A very good mix. It moves like a professional dancer, where everyone cant help but keep staring. Inner Revelation I thought the doorbell used was pretty clever. The artist seems to like putting in neat sound effects rather than vocals. I also noticed the use of rising pads in many areas. I really enjoyed how these pads carried the progression. The small sections of melodic harmony were really kickass. The bass keeps the same tone throughout the track, however. It would be nice to switch it up a bit against the constantly changing synths. Overall, this song had an excellent soundest and followed the normal high energy psycore style this album expresses. Tactical Error Many high frequencies rattle my head in this track, but they are mixed well with a few relaxed, slower tempo moments that made areas like 4:10 even better. Masterful progression and mixing. I usually hate all high frequencies, but this track places them all around my head and uses a decently changing bass tempo. It would be nice to see a better mix of frequencies, however. The constant zips and zaps give me a headache at times. Don’t get me wrong, I just would like to see more of a variety in here. More Power This track has more of those lows needed to move the driving high frequency leads. I enjoy this track a bit more than the others simply because it innovates the style rather than repeat it. It builds many different sounds across different climaxes and buildups, surprising me at points. I love to be surprised. I dont want to expect what zippety zap comes next, because that gets boring. This is a very enjoyable track, carefully choosing what hypnotizing synth bombardment to release next. Engulfing and juicy. Well done! Mirrored Benches Another quality piece here. The sounds used in this track remind me of playing Earthbound. That changing baseline is a very nice touch. Organized, to the point, fast buildup, good climaxes, and an overall easily danceable psycore track. I enjoy the melody used at 2:50. It is considerably quirky and interesting. String Theory I find this track to be the best on the album. The starting bass immediately capture my attention. It is low and steady, crystal clear and sinister, and exciting. If I could pick a track that put together all of the ideas and visions expressed in this collaboration, it would be this one. It doesn’t overdo the zaps and whistles. It has a seemingly perfect foundation, including all these great sounds and glitches. It stops and starts at all the right moments, bringing in “wikki wikki”, a downtempo segment, and orgasmic finales. If I would play any of these at a club or save them in my favorites folder, this would be my first pick. Good job! Mindmatter Another similar track with a lot of beat mashing, synth bending, and video game bit sounds layered underneath vocals. Still, it is well mastered, well done, and clear, but it lacks a special innovative, varied touch. It stays with a constant beat, predictable progression, and extraordinarily similar instruments. It is almost as if everyone in the collar is using the same program with the same sounds. Mindmatter is a good track, but I feel the similarities between it and the other tracks makes it boring for me. That isn’t each individual artists fault, its just the simple fact that all of these same ideas are placed together into one long album. Its easy to understand the style after the third song. Then it gets too predictable. OVERALL: Zippety zaps, xippity zoos, zappady waddas, and other collections of electrifying, jolting intensions of hard high end synths lead every song in Tech Tactics. Simply energizing, the 150+ BPM of each track is sure to make anyone want to dance. It can defintley explode crowds, twisting their bodies all over the dance floor. If you like the first track, your going to like the second, and your going to like the third, and fourth, and every other one after that. There isn’t very much variety in here, however each piece is well mastered, powerful, fast-paced, explosive, and intense. The solid bass textures can easily shake you and move you. If you are looking for more variety, then most of this album is not for you. It has picked a series of quality psycore tracks that follow the same attitude with a lot of extremely similar, heart-attack inducing, energetic synth leads. Although, there are a few unique innovations in here that go beyond the typical theme presented. String Theory, being one of them, is my favorite track on here. I strongly recommend each artist take a listen to the album and try to think outside the box… what else can you do to capture the attention of listeners? What methods should be used to add variety? I would suggest slowing down things at points, adding more ambience and unexpected drops to really buildup suspense and then hit it hard with some good ole energetic psycore! Its all about the euphoria. Keep in mind, this is my opinion, but I feel there is still a lot of room for improvement in terms of developing your individual styles! Keep up the research and production guys. 8/10 Download here on Ektoplazm (MP3, FLAC, WAV) - Review by FatKidWitaJetPak (Nick Sumbles) - Special Thank to Ektoplazm for the download bandwidth.

Artist: Xatrik Title: Badass EP Label: Disasterpeace Records Date: January, 2012 1. Badass 2. Dangerous Conditions 3. Work My Magic 4. In It Holy sh*t. What the f*ck happened here? This the same chick that sang Genie in the Bottle? Apparently there was also a Pizza Hut franchise in there. What the hell was your wish, lifetime supply of cheesy breadsticks? *Puts finger to ear to hear producers* This just in we are going with live video that has just come into us of Ms. Aguilera on a rampage at a New Jersey Nets game. "Oh the humanity! She's insatiable!" Once an incredible talent, Ms. Aguilera now spends countless hours at various drive thrus using the voice to "King Size it" and whining when told she cannot put a frosty on a Wendy's triple. Rumor has it that anyone not making the cut on her team must report immediately to a giant deep fryer where they will be promptly sodomized with a stick so she can snack on you like a corn dog. I have no proof of that, but you know, it sounds perfectly plausible. Xatrik is Greg Hamber from South Africa, the birthplace of the vuvuzela otherwise known as the Christina Aguilera dinner bell. He's back and fatter than ever with his new Fatass EP that promises...I'm sorry? Excuse me, I think I would know...oh sh*t. Badass. Not Fatass. Wow, that uh....that makes a lot more sense. Badass- Typical Xatrik with high speed cyber technology sounds and acid erupting from a sawed off shotgun. The bass line is sprinting like it's on the run from the cops and the groove is intact. It's bombastic and crackling with energy. It truly is badass, but then so Greg's full time job... Dangerous Conditions- "Do you want to live forever?" With a little help from the Qube he continues to shower the listener with acid and heavy beats. It's dark with impending doom as it changes tempo which I wasn't that big a fan of. Minor drawback as this thing gets it's second wind and brings the power with the groove. It rises like a tsunami full of cars, houses, carnival equipment, a couple toilets...you get the idea. Let's just say that it keeps comin'. Work My Magic- "Mr. Fletcher? You don't have to worry about the police...I worked my magic on them" It starts with a slow techno crawl and quickly rounds into form. Bouncing with nod your head goodness he experiments with breakbeats and techno applications. There is a dark melody that hums throughout as bass sounds warble and wobble. But they don't fall down. In it- Man that bass line is like a Godzilla village stomping beast. Or the local ladies at the Golden Corral lunch buffet Ewww....pretty sure the chocolate wonderfall is limited to food. It's a wall of concussive force kicking in the deadbolt and shattering double plated glass. It's a snowball track that gets bigger as it rumbles downhill. Oh yeah, you stepped in it. F*cking punishing. Another quality twilight excursion from the reigning heavyweight champ of the genre. His ability to mix dark vibes with acidic mayhem and groove are unmatched. Work My Magic is interesting as it isn't just a 4 on the floor stomper, but rather a composite of that and some breakbeat manipulation. It sounds great with everything crystal clear and I think he really payed attention to cranking up the funk meter. So there you go. Having a gun doesn't make you badass. Being Xatrik does. Beatport Mdk