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Hello lovely people! Hope you are doing well. This is part one of a mix trilogy of Psychedelic Experience. This is our psychedelic experience, everyone deep in his own personal path, even if at times it can be so challenging or impossible , every good purpose which serves the Higher Self will find his way through. The intelligence of Consciousness is doing everything so perfectly. Remind yourself that you are part of it. You are a divine Being, in a world where many humans are slaves of their egoistic ignorance, you have the choice to be a kind, compassionate, caring spirit. Don't let them poison your beautiful energy, they don't have the capabilities to understand what they are doing. Trust the Universe. Tracklist Intro- Deviant Species- Portal to Balojax 1.-Sleek- The Driver (original Mix) 2.-The Delta, Alex Tolstey, - Vicious Pink 3.-LURIFAX - Lobo rmx 4.-Ouija Feat. DJ Alex-Zeitmaschine 5.-X-Dream - Quantumlab (Instrumental) 6.-Pylon-The Bro 7.-Intact Instict-Chicago Coin's Cinema 8.-SURIA - Sky stone 9.-Psycho Abstract - Tia Puta 10.-Sensient - Loose Cannon 11.-Midi Miliz- Good Time 12.-X-Dream - Distressor (2006 Edit) 13.-The Delta- Pop https://on.soundcloud.com/fJXK1fx7kU8TKyzC9

Finally, here it is... The promised set from Bażoły Open Air, played on the night of 17.08.2024. 😎 I'm happy to take you on this musical journey once again, as it was an incredible pleasure to perform there. Despite the not-so-great weather, the atmosphere was amazing. 🔥😍 Please listen and embark on a journey into the psychedelic realm of deep and acidic grooves. Hope you'll enjoy this immersive musical trip. Have fun, cheers or

Hello, I'm thrilled to share the set I played on August 10, 2024, on the main stage of Poland's top festival, Uroczysko. It was beautiful and magical experience. Thanks to the organizers and participants for the fantastic atmosphere, unforgettable experience, and wonderful time. 🔥😍🙏 Enjoy the ride.👽 https://soundcloud.com/gamma_pl/uroczysko2024/ or https://www.mixcloud.com/gamma_pl/gamma-uroczysko-festival-10082024-main-stage/ # psy trance # progressive # zenonesque

E-Mantra - Nemesis Suntrip Records, 2014 Goatrance 1. The Entity 2. Wrath of the Nomads (Rmx) 3. Fall of Icarus 4. Gebeleizis 5. Xibalba 6. Ayahuasca 7. Mission Aborted 8. Orphic Hymn 9. Shae Nab E-Mantra is Emmanuel Carpus. His Goa debut, Arcana (2009) was praised for immersing listeners with strong atmosphere, soundscape textures, and dynamic (tweaked tempo) transitions, one of which is the coolest enhancement that I have heard in electronica music to this day. Although I found that Arcana lacked memorable melody leads, I can't deny its innovation. The exploratory element was great and Dansul lelelor proved that the artist could create memorable leads in addition to the atmosphere and everything else. Pathfinder (2011) incorporated some catchy synth leads, but lacked the absorbing soundscape textures to the degree of Arcana. Pathfinder had some great tracks, elements, and moments nonetheless. It was more melodic, and yet less immersive soundscape wise and atmospherically. Some liked it more than Arcana and vice-versa. Anyway , three years went by and Emmanuel's tracks continued to impress on Psy/Goa and Psyambient/Chill albums until the next massive Goa creature arrived. This brings us to Nemesis (2014). Every E-Mantra album to date has had a bit of a learning curve for me. Emmanuel's style is very distinct and complex, and at times overwhelmingly creative. Good news is that Nemesis is more ambitious, imaginative, and atmospheric than Pathfinder. It also has more of what many liked about Arcana, the soundscape textures (exploratory element). I'd love to hear an all ambient/chill album by this artist in the future too. But moving on to Nemesis... 1. The Entity is the best opening [goa trance] track by E-Mantra to date. It has a fantasy edge that I miss (since the old-school days of Chi-A.D.) coupled with immersive atmosphere, strong synth work, a driving beat and bass line, tasty soundscapes textures, and some great synths. This song is like moving through a galaxy of space candy. I love the female voice sample, even if I miss what she's saying half the time. Her "sound" alone enhances the track. Oh, and when I bitch about there not being enough memorable melodies in E-Mantra's first two albums, just wait until you hear the one at 6:44. It's very catchy! I really like the return of the strong bass line at 4:05, the atmosphere and melody/sound (synth) work. The echoed, female effects are nice too! My ONLY gripe is that after the beat drops out (which switches up the sound a bit), I am less gripped. From around 5:30 to 6:39 the song begins to feel repetitive. Fortunately, the melody at 6:39 leads to ear candy at 6:44 that elevates the song. Very little here could have been perfected (to me) for a nearly perfect score, as the artist did a great job overall. The Entity is excellent, one of E-Mantra's most solid tracks to date. A- 2. Wrath of the Nomads (Rmx) I find less dynamic and varied than the opening. The song moves in one general direction, but it has a strong beat and base line. The synth lead stands out among the heavy backdrop, and is accompanied by soundscapes/textures, as is E-Mantra's more typical style and approach. To be honest, I was a little disappointed here, primarily in the first half. The song starts strong with a solid synth but grows repetitive and predictable by the third and fourth minute. Fortunately, there's an interlude/ around halfway through. The beat and music return at 5:10 where the song grows noticeably catchier. The beat is accompanied with more engaging sound work. Better late than never I suppose. Simply put, the song could have trimmed a minute or two earlier on, or involved more enjoyable work in the first half which would have made it more enjoyable. This is a solid track that starts slow and rewards listeners in the second half. B 3. Fall of Icarus I find more interesting than the previous song which showcased a more typical E-Mantra sound. Earlier on I'm grabbed by the atmosphere here. The bass line that enters at 0:55 captures the driving, dark tone; it's good. Gradually details are added. There are many layers here; I just wish that the melodies hooked me more, as with E-Mantra's work there is sometimes more higher pitched synth streams rather than stand out Goa tunes. Having said that, the song innovates. It's like a fluid storm of debris shrouded in lightning and space snapping rattle snakes that sneak up and surprise. The more times I listened to this track, the more I found regarding the complexity and cohesiveness of it all. It gets catchier as it progresses naturally, and showcases some really good sound work in the second half that compliments the first. Having said that, more memorable melody work would have been nice. Good if not great song. B+ 4. Gebeleizis begins like a computer spazzing out, printing up algorithms left and right without rhythm or reason, but in a psychedelic space sense; this is no computer or printer. The curious introduction slams the senses with an impact effect, or echoed beat and synth at 0:26. This moment is brief, but powerful and gripping. It also introduces the first wave of energy/synth work to power the starship. There is an interlude midway that reminds me of stars blinking out in the night sky. It's immersive and intriguing. Then a new crescendo of sound arrives, comprised of atmosphere, soundscape textures, and a delectable combination of synth melodies. The song evolves into combining the powerful effects with actual melodies that have harmony and feeling. I simply find that the last 1-2 minutes, while very nice, could have incorporated more development to increase the songs greatness in the end. An artist that applies this concept well is Cybernetika relative to his general tracks (1, 3, 6, 7) in the atmospheric and also dark album, The Scythe of Orion. Gebeleizis is a super song that has a soft ending that makes me go between a solid A and minus. The song is possibly deserving of a higher score. It's fantastic. A- 5. Xibalba begins less chaotically than the previous track, with good atmosphere and an effective, lower-pitched bass line. The bass line adds to the darker tone and is very effective, primarily when combined with other sounds that go into effect at 1:58. The more versatile "synths" are deliciously braided. There is a drum roll that leads into a highly effective third minute, coupled with a strong lead and otherworldly textures. At around 4:00, an echoed synth enters; this is the sound that I like from War of the Hierophant's track interlude from Arcana, as well as the Metamorphic Resonance track (last third) from Pathfinder. Here it's used more as a pitch bending accent rather than a visceral synth melody lead. Nevertheless, it's catchy and compliments the track; it's just not as infectious as how it was utilized before. No worries. It works well with the core rhythm. The beat briefly disappears at 5:12, and returns with the driving feel and even tastier melody/sound work at 5:25. It's also enhanced by the accent effects that appear like space insects flying by the voyager. All of this takes place with great synth work. An ambient segment enters around 7:15, and adds to the song's mood; it could be perceived as a sense of urgency or consequence. This part of the song sounds serious, evocative. It's interesting and adds character and feel to this intergalactic album. The song isn't as eventful as some of the others, but I like it this way. Xibalba is imaginative and captures my attention from start to finish. Well done! A- 6. Ayahuasca is the next track that I warmed up to the most, along with The Entity and Gabeleizis. ​This is because of the melody approach. The synth work emotes with the overall exciting feel. Instead of one synth, the artist somehow incorporated three or four, maybe five. The work sounds so layered and complex. It grows stronger, catchier as it progresses. The part around 4:20 forward has an amazing, climactic feel. It showcases what is quite possibly the artist's best melody synth (leading) work to date. I am very impressed with this part and how it fits into the context of the whole. I love it. The last third (or rather act) includes a very nice melody lead that blossoms around 6:16. It's unpredictable and uplifting! I love how the artist realizes that complexity alone does not necessarily make a song good. Ayahuasca showcases fantastic sound/melody work by the artist, who raises the bar on how uplifting and catchy his Goa songs can be! Part of me feels that the song could have gone even further or higher into heavenly bliss (ascension) in its final moments, but I really like the last few minutes. The song closes strong and knows when to end. Ayahuasca is one of the finest tracks in electronica! It's beautiful, unique, and innovative. The song has feeling too. It's excellent. A 7. Mission Aborted begins dark, as if abandoned or alone, though the samples off-set this thought. What stands out to me the most here are the astronaut's voice. They're catchy as they echo across the music. The first third keeps the tone and driving (under-current) dark. The synths sound mechanical and grows catchier in the second act. I like how the artist supports these darker elements, and the ambient/atmospheric layer later on. These examples show how well the artist puts sounds together, however I wasn't that arrested with the overall song. The astronaut voice samples add character and I like that. However the synth work, while catchy, never stayed in my head. There's no tune that grabbed me, no climactic elements either and that's okay. The second half is quite nice I admit. I simply never felt completely immersed or addicted, and the ending isn't really exciting. Having said that, the overall song is very well structured; it builds nicely and has some interesting elements, solid synth work. It's also dark and moody (though I found Xibalba catchier in that regard). The astronaut samples compliment Mission Aborted in that they're catchy. I just wanted to feel more involved and hooked with the overall song after finding the previous three so exceptional in comparison. That said, this is a very good track that seems to separate two more ambitious and delectable ones. B+ 8. Orphic Hymn is another one of my favorites along with tracks 1, 4, (now 5) and 6. The introduction is solid, and the beat/effect at 2:15 is wonderful. I love the humming ambient, and the synth work that enters at 2:33 is so ridiculously catchy. OMG I love it. Then there's the third minute where this infectious sound combines with others that sound as delicious with it. The third minute involves one of the catchiest segments in goa trance. After this phenomenal part, the beat leaves at 3:46 for an interlude (transition). This provides the opportunity to change up a few things and refresh the song. The returning music at 4:14 is nice. The atmosphere's enhances it. The melodies become brighter at 4:35 and I think it's good add light to the darkness. The second half of this song is attractive, don't get me wrong. I simply wish it was as infectious in the uplifting, positive and harmonious sense, as I love the idea. The melody/sound work is catchy. I just find them less captivating than the edgier work beforehand, which I found stunning. The song could have benefited from having a tastier final uplifting act in that regard, as it goes from darkly superb to beautiful good, in my opinion. Take Astral Projection's Liquid Sun, Radical Distortion's Star Dance, Goasia's Sunrise - ok those were morning Goa sunrise songs throughout and this isn't I realize (but for uplifting tracks that really impressed). Orphic Hymn does darker, edgier best and should have stayed that way with more development in the last third I feel. Or the brighter evolution could have used more work to make it more spectacular, just my two cents. I was so enamored by this song's first half and wanted to give it a solid A. Maybe a remix will get away with this. Orphic Hymn is another great track that showcases some amazing work. A- 9. Shae Nab, unlike the last two tracks previous E-Mantra albums is far from slow. Is slow uptempo an oxymoron? Regardless, the tempo is good. This final track has a smooth and fluid feel, with seamless melody/sound formations that develop in some subtle ways. The synth work is very good. I especially like the skipping synth that comes and goes. Shae Nab isn't very eventful (that's not the point), but rather one continuous movement; the song flows like water. This flow of energy concept ? track reminds of a little of Khetzal's opening on Corolle; this is completely different in sound and approach of course. A really nice melody enters around 5:00, and a more gripping (to me) one at 5:50. After the third or so interlude, the rhythm returns with even greater sound, deepening the hypnotic vibe. The ambient notes in the last minute are beautiful. It would have been nice if such feelings of euphoria were more present earlier on. The ambient notes add so much feeling and harmony; by the time they arrive, the song has almost finished. Nonetheless, the artist's blending of sounds here produce an old-school, goa sound that some will love. Shae Nab is a beautiful work of art. Its gentle approach may not stand out initially, as much as some of the other songs. This is a solid closing track that could have had more personality. It flows beautifully nonetheless. A- In conclusion, Nemesis is a strong album. If you're an E-Mantra fan, I think you'll be impressed, as I can be critical and pin point or over analyze even the smallest things at times. Every E-Mantra album I've heard to date has been impressive including his chill ones via Hermit Sanctuary (2013). The artist continues to improve and "perfect" his style on Nemesis and it shows. The album is dark and visceral, often immersive and at times magical. This album impressed me when I least expected, but it also took time to grow as Arcana did. I really like the power, rhythm and synth work of The Entity in combination with its fantasy elements. I was also impressed with Gebeleizis, Xibalba, and Ayahuasca for their strong synth work, arrangement, and sound formations. Orphic Hymn has an incredibly catchy first half (until 4:39 for me); the rest is pretty good, just not as addictive. Shae Nab is a pleasant closing track with an old-school feel. With the overall album, I enjoy the atmosphere, soundscape textures, and (being a huge melody fan) improvement in the synth department, though greater emphasis on tunes that get stuck in your head would be nice. There's a lot to explore thanks to the artist's attention to detail and interest in creating depth. The lower-pitched bass lines work well too, adding to the dark feel of the album. Constructive Criticism / Feedback 1.) Some of the melodies could have more development of arrangement. For this reason, I find Filteria's albums (DoOL and LitW) easier to get into. Emmanuel tends to scaffold his melodies more with trills on notes, whereas many Goa artists compose more arrangement. 2.) Sometimes this artist has something so perfect going, only to incorporate a last third that isn't as infectious (track 4, 8). I love songs that get catchier as they progress! 3.) I would love to hear more sleek interludes like the one in Arcana's War of The Hierophants track, from 3:58 to 4:50. Such work was wickedly catchy and sleek. The ones here are solid nonetheless. End of Feedback There are things about the other albums that make them special I realize. I have warmed up to Nemesis slower than Pathfinder, but faster than Arcana. This is probably due to Nemesis having more depth and exploratory elements/details over Pathfinder. Sure Arcana had some fantastic elements (atmosphere, textures). Pathfinder had the melodies (synth leads) that stood out where the debut was lacking. Nemesis is more refined, involved and deep; the synth work and melodies are catchier too. Thanks to numerous improvements, I think many listeners will consider Nemesis to be the artist's best [goa trance] album yet, but it took time to time for me to assimilate to this album for some reason. Not since moments in Arcana have I been so impressed with an E-Mantra album in the psy/goa genre (I also recommend E-Mantra's Hermit Sanctuary album for psyambient/downbeat). Nemesis puts the listener back in a voyage through intergalacitic space travel, atmospheric elements and exploratory psychedelia. It's a lot to process. A lot takes place, and while I personally favor certain styles of Goa over E-Mantra's (normal considering we all have our preferences), Nemesis was well worth the wait. Favourite tracks: 1, 4, 5, 6, 8, 9 A- Samples / Order Suntrip http://www.suntriprecords.com/release/cat/SUNCD31/ Suntrip Bandcamp http://suntriprecords.bandcamp.com Psyshop http://www.psyshop.com/shop/CDs/sut/sut1cd031.html Beatspace http://www.beatspace.com/7916/Suntrip+Records/E-MANTRA/Nemesis/detail.aspx Goastore http://www.goastore.ch/e-mantra-nemesis.html Amazon http://www.amazon.com/Nemesis-E-Mantra/dp/B00HW1FEQA/ref=sr_1_1?ie=UTF8&qid=1391013235&sr=8-1&keywords=E-Mantra+Nemesis

Gamma Goblins (Hallucinogen in Classical) | Mo(Mus) Enjoy!

Blondie - Call Me (Denstrow boot) Coil - Ayor (Denstrow Boot) CJ Bolland - The Prophet (Khum Quat remix)

Hi! I invite to watch my new psytrance track, played on the last Live act on Moondalla Festival in Poland, with a videoclip. #psychedelictrance #psychedelictrancemusic #psytrance #trance #trancemusic

Absinthe Makes the Heart Grow Fonder

Hi! I invite to watch the my next version psytrance track, played on the last Live act on Moondalla Festival in Poland, with a videoclip. #psychedelictrance #psychedelictrancemusic #psytrance #trance #trancemusic

Hi! I invite to watch the my full version goatrance track, played on the last Live act on Moondalla Festival in Poland, with a videoclip. #psychedelictrance #psychedelictrancemusic #psytrance #trance #trancemusic

Nightwave - Prince of Flowers (Denstrow Remix)

Olá dear friends, The Great Lab Escape is out now. !!!Goa Trance forever!!! https://ankrosado.bandcamp.com/album/the-great-lab-escape

Hey there psytrance fans and animation lovers! I just posted a new video on my YouTube channel that combines my two passions: psytrance music and cartoons. In this video, you'll hear some of my latest psytrance tracks while watching a fun and trippy animated video that I created myself. I had so much fun making this video, and I'm really excited to share it with you all. If you're a fan of psytrance music or animation, you won't want to miss this video. It's a unique and creative blend of both genres, and I think you're going to love it. So head over to my channel and check it out now! And if you like what you see, please consider subscribing to my channel to stay up to date on my latest videos. Thanks for watching, and I hope you enjoy the music and the visuals! Love your support https://linktr.ee/dharma.das

Hello. I invite everyone to listen my new psychedelic track on: Spotify Youtube Music and: Tidal, Apple Music, Amazon Music, Bandcamp and more Any comments welcome. Thx & Cheers

Hello. I invite everyone to listen my psychedelic track and any comments. Thx & Cheers

Release Date: 2023-01-27 Label: SpaceWarp Records Catalog: SPARMU005 Digital Downloads Available From: Bandcamp - Beatport - Junodownload SpaceWarp greetings to you all and welcome to our freshest release "The Shape of Reality", from USA psytrance producer Coral and UK psytrance duo, Lennielazerbeam. A hypnotic dynamic synergy and remix exclusive! Coral’s “Shape of Reality” kickstarts the journey with a remix by UK psytrance duo, Lennielazerbeam. Catchy vox and effects provide an opening of spacious sound with a driving kick and tempo uplift that breaks into a melodic playing field of audio experiences and catchy hooks that sweep you right into this trance-floor stomper! Lennielazerbeam’s “We Dance to Touch the Soul”, remixed by USA psytrance producer Coral, is a catchy rhythmic delight, that, we know will refresh your soul on every trance-floor! With its messaged vox intro and clever use of vox throughout, “We Dance to Touch the Soul”, tells a story of catchy hooks, beautifully paced pads, melodic sparkles and a deep layer of bass, that will make you dance and nourish your soul… "The Shape of Reality", is a collaboration throughout, both musically and artistically, with mastering by RIGEL and its neon artistic backdrop background by JanineorJ, with creative edits by Mick Usher. You know what to expect, until next time…. Coral Links & Social Media Soundcloud - Facebook - Affiliation Lennielazerbeam Links & Social Media Soundcloud - Instagram - Facebook JanineorJ Links & Social Media Website - Facebook - Instagram

Be prepared to get your space warped with X-Files #3 and the latest DJ promotional label mix from EarthAlien... X-Files #3 is a soundscape of hypnotic psychedelic beats that will provoke your mind and warp your space with a carefully selected track list of current releases and what's out soon! EARTHALIEN [SpaceWarp Recs] EarthAlien is the label manager and label DJ for UK-based psychedelic label, SpaceWarp Records. He is also a resident DJ and crew member of Gdansk event Be Psychedelic in Poland and is the founder, face and driving force behind Psylicious, an established name in today's psychedelic trance music scene. EarthAlien executes a non-pigeonholed, hypnotic, underground full-on driving sound, of psychedelic trance, Goa trance, deeper darker tones, and older retro sounds that take the trance floor into a psychedelic experience... Track List: 01: UNI – Goa Trance Spirits 02: Lennielazerbeam – We Dance to Touch the Soul (Coral Rmx) 03: DUM – Quantum 04: Coral – The Shape of Reality (Lennielazerbeam Rmx) 05: ManMadeMan – Ready 06: Lennielazerbeam – Dimensional Beings 07: Neuromotor – Abstraction 08: Oden – Electric Brain 09: Coral – All Systems Go for Mars 10: Etnica vs Pleiadians – Reboot (Live Mix) 11: Coral – Psychedelic Sessions 12: Barby – One Mind EarthAlien Links & Info: Linktree SpaceWarp Records Links, Releases & Info: Bandcamp - Linktree

Listen to my live set recorded live at the Hipnosis event on 10.22.22 in Joinville, Santa Catarina, Brazil. https://soundcloud.com/hexaliohm/hipnose

Kraftwerk - Spacelab (Denstrow remix)

Yello - Resistor (Denstrow Boot)

A remix of The Infinity Project's "Mindboggler". The Infinity Project - Mindboggler (Denstrow remix)

142 Bpm — DubTrance, Psychedelic Trance , Psy Dub, Tribal — OUT NOW Free Listen & Download: https://druidstate.bandcamp.com/track/in-dub-in-trance From Czech producer Druid State — https://druid-state.com

A new track I made, a bit in the style of the new israeli type of psytrance like Captain Hook, Freedom Fighters etc. Denstrow - Form & Function

I am pleased to present my set played on August 13, 2022 on the main stage of Uroczysko Festival. It was a magical and unforgettable experience. Please listen and enter a journey into the psychedelic realm of deep and hypnotic bush prog grooves with organic touch. or

My channel features vintage audio equipment demonstrations and psychedelic music from vinyl records. I also DJ old school goa trance from the 90s. I was taught how to mix using house and techno techniques from my aunt DJ Dawna Montell and our style utilizes phrasing in unique ways to allow long, seamless, transitions from one track to the next by playing them both at the same time for an extended period of time creating an all new "third" track from the combined melodies of both records making it difficult for listeners to identify when one track ends and the other begins. There aren't very many goa and psy DJs who mix like me so I take pride in what I'm able to bring to DJing psychedelic trance. Ill leave a link to my most acclaimed mix. It currently has the most all time views on psynews site and was well received on soundcloud. Please like comment and share. Dont forget to subscribe. Let's keep psy alive for generations to come.