Anoebis Posted May 29, 2014 Share Posted May 29, 2014 Watch this video... it is the power of celtic, on the original tracker... Amazing 1 Quote Link to comment Share on other sites More sharing options...
draeke Posted May 29, 2014 Share Posted May 29, 2014 yes, FastTracker/ImpulseTracker and the similar that were common programs to make trance and goa back then but mostly by kids and people learning their basics into electronic music. I remember there were millions of websites collecting releases of the tracking scene (traxinspace, anyone remember?) and a lot of videogame music was also produced like this. That said the tracker reproduced the concept of a real midi studio with analog synths and machines, it simply connected the musical notes/scales to certain sounds thus creating a composition, it was really an insteresting a free instrument for people to create music. A lot of nitzhonot has been produced solely with trackers as well! Quote Link to comment Share on other sites More sharing options...
Guest antic Posted May 29, 2014 Share Posted May 29, 2014 That said the tracker reproduced the concept of a real midi studio with analog synths and machines, it simply connected the musical notes/scales to certain sounds thus creating a composition, it was really an insteresting a free instrument for people to create music. A lot of nitzhonot has been produced solely with trackers as well! You make it sound like trackers are the thing of the past, while they're not - look at Renoise, which is a fully featured tracker having all the things available in semi-professional DAW-s (VST/AU, ReWire, Midi support, internal effects & devices, Lua scripting, etc.) and is available on Win, OSX and Linux with just one license. Quote Link to comment Share on other sites More sharing options...
Dolmot Posted May 29, 2014 Share Posted May 29, 2014 Heh, samples tuned at the Amiga default of 8363 Hz. And channel doubling for extra volume when 63 wasn't enough. A bit wasteful but IT was able to handle fairly many channels on mid-90s hardware, being written in Asm and all. Comprehensive centre panning too. I hadn't paid attention to that before... I used another colour scheme but that's the thing, alright. I think my fingers still remember half of the keyboard shortcuts. Mouse was something only those FT2 nancy boys used. And I dare to say most DOS-era games since the introduction of sample-capable SBs/GUSs used module music until CD audio and mp3 became truly viable. Often it was just there in its own dir. Sometimes you had to rip them from a bundle file. The same thing with demos. Grab it, open it, check the composer's every trick. That's how you learnt the trade. Quite fascinating that you didn't need a pile of hardware synths and sequencers to make a legendary track back then (either). Trackers had their limitations but boy it was fast to write your instant techno. Steal a kick sample, set row skip to 4, and push Q until the pattern is full. Repeat with hats. No wonder a lot of mods sounded like that too. Good times. I should check whether the collection CDs I bought from Maz still read. Quote Link to comment Share on other sites More sharing options...
phobium Posted June 1, 2014 Share Posted June 1, 2014 Renoise user here. Started out using protracker back on amiga. Quote Link to comment Share on other sites More sharing options...
Guest The Hypnotic LFO Room Posted June 1, 2014 Share Posted June 1, 2014 In 1994/95 while recording the first Elysium EP and album I used:A Akai ASQ10 99 MIdi Sequenzer to record into : http://www.vintagesynth.com/misc/sequencers.php#asq10A Jupiter 8 : http://www.vintagesynth.com/roland/jup8.phpA Juno 106 : http://www.vintagesynth.com/roland/juno106.phpA Prophet VS : http://www.vintagesynth.com/sci/pvs.php A Roland JD-800 : http://www.vintagesynth.com/roland/jd800.phpA Korg Poly-61 : http://www.vintagesynth.com/sci/pvs.phpA Korg 707 : http://www.vintagesynth.com/korg/korg_707.phpSome dodgy Speakers and a very bad Mixer (Alesis something)My kick was recorded while tapping my fingers on the speakers bass cabinet. Quote Link to comment Share on other sites More sharing options...
Paul Eye Posted June 1, 2014 Share Posted June 1, 2014 My kick was recorded while tapping my fingers on the speakers bass cabinet. Wow. Back in the days I wished I'd had a mic when I bounced a tennis ball off a piece of wood. Would have made a great kick Quote Link to comment Share on other sites More sharing options...
desysko Posted June 2, 2014 Share Posted June 2, 2014 In 1994/95 while recording the first Elysium EP and album I used: A Akai ASQ10 99 MIdi Sequenzer to record into : http://www.vintagesynth.com/misc/sequencers.php#asq10 A Jupiter 8 : http://www.vintagesynth.com/roland/jup8.php A Juno 106 : http://www.vintagesynth.com/roland/juno106.php A Prophet VS : http://www.vintagesynth.com/sci/pvs.php A Roland JD-800 : http://www.vintagesynth.com/roland/jd800.php A Korg Poly-61 : http://www.vintagesynth.com/sci/pvs.php A Korg 707 : http://www.vintagesynth.com/korg/korg_707.php Some dodgy Speakers and a very bad Mixer (Alesis something) My kick was recorded while tapping my fingers on the speakers bass cabinet. Sounds like a nice set up. Do you still use any of the gear or have you moved on to software? Quote Link to comment Share on other sites More sharing options...
Negrosex Posted June 2, 2014 Share Posted June 2, 2014 I used impulse tracker back then, i started out with noisetracker on Atari and when i got a pc with a soundcard i switched to IT. I ripped samples from different tracks and everything sounded out of tune. I don't think i'll ever realise the greatness of Power of celtic. To me it will always sound like an out of tune tracker version of Lambada. http://www.youtube.com/watch?v=i8mz9uOvFQA&feature=player_detailpage Quote Link to comment Share on other sites More sharing options...
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